The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
JONATHAN WEDGWOOD, “of the Borough of Derby, China or Porcelain
Repairer or Thrower,” was employed for some time at the Derby
Works. On the 2nd of December, 1772, articles of agreement[31]
were drawn up between him and William Duesbury, by which he
was to serve Mr. Duesbury for three years “in the Arts of
Repairing or Throwing China or Porcelain Ware,” at the weekly
wages of fourteen shillings “for every whole week” he “shall
work according to the usual hours of Repairing at the said Wm
Duesbury’s Manufactory in Derby aforesaid.” In the contested
election of 1776, a John Wedgwood, son of William Wedgwood, of
St. Peter’s Parish, Derby, claimed, through apprenticeship, to
be admitted and vote as a freeman, and before the Committee of
the House of Commons, was accordingly admitted. By the registers
of St. Alkmund’s, Derby, it appears that a Jonathan Wedgwood was
married on the 12th November, 1785--thirteen years after the
date of this agreement--to Mary Stenson; and that three years
before this time, 22nd Sept. 1782, an Amy Wedgwood was married
to Abijah Tyrrell, both of that parish. The probability is that
the Jonathan Wedgwood whose agreement I have quoted was born at
Ellenborough in 1735; that he migrated to Burslem (where one of
his children was born in 1757), and afterwards to Derby; and the
Jonathan and Amy, whose marriages are noted, were his son and
daughter. His name appears as one of the workmen in 1787.
Other artists, &c., were as follows:--
JOHN ASH, a thrower and presser in 1794.
JOSEPH BANCROFT, who belonged to the old Derbyshire family of
Bancroft, of Swarkestone and elsewhere, was apprenticed at the
Derby Works, and became a proficient in painting flowers, birds,
insects, and shells. He did not remain long after the expiration
of his apprenticeship, but worked for Copelands and others, and
lastly for Minton’s, in whose employ he died.
JAMES BANFORD, of London, a clever painter, was employed from
1790 till 1795. He removed from London to Derby in the middle
of 1790, his wife, Bernice Banford, and family following him
in August of that year. He appears, from penitent letters, to
have been, like many of the other hands, addicted to drinking,
and to have been of improvident habits. In one of his letters
(Feb. 1, 1794) he says, “I cannot help informing you that I
have been dissatisfied some time at the difference of wages
between Mr. Boreman and self. I am not conceited of my work, but
every man knows what he is capable of doing, and in any line of
painting china except landscapes, I have the advantage of Mr. B.
Cannot help observing that in the landscape line, when there is
anything minute or requires neatness, my optic nerves are to be
strained for 18_s._ pr week less, and tim’d to ten hours each
day at the manufactory.”
Public-domain text, read in full here on John Shaqi.
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