The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
BERNICE BANFORD, wife of James Banford, china painter, was also
employed as a painter, but at her own house or lodgings. She
had a somewhat unsteady husband and a family to look after,
and seems to have been a great help to them. Here is her first
letter, asking for work, showing that she had been employed at
Wedgwood’s works in London; and another letter by her, when
objection was taken to her being so employed, is given on page
103. “S^{IR}, I beg pardon for addressing you on a Subject which
nesessety oblidge’s me to which is to Solicit the favour of a
little work in the painting way at home, I was brought up to the
business at Mr. Wedgwoods manufactory in London, and flatter
my Self I should be able to do the Slightest paterns on China.
I would S^{ir} very willinly Contribute any thing towards the
Suport of my family, and to assist my Husband to pay Some Debts
which we owe in Derby, which if I Should be so happy to obtain
Such a favour I Doubt not but we Should be soon able to Effect
and do better for our Family than at present. if S^{ir} you
would please to take it into Consideration by Permiting me a
little work, you would for Ever oblidge, S^{ir} your Hume Sert,
BERNICE BANFORD.”
W. BARKER, formerly of London, was employed between six and
seven years at the Derby Works, and left them in March, 1795.
RICHARD BARTON, the manager at Chelsea (it is he who makes out
all the “weekly bills” and receives and pays) was a modeller. In
1773 “Barton, modling 2 small antiquit vauses, £1 1_s._”
JOHN BLOOD was an apprentice at the Derby works, and became a
clever painter.
ROBERT BLORE, a late apprentice at the Derby works, afterwards
for a time produced on his own account small figures, vases,
&c., at a small place in Bridge Gate; he removed into
Staffordshire.
ZACHARIAH BOREMAN, one of the old Chelsea painters, employed by
Spremont, and afterwards by Duesbury, and came down to Derby
on the closing of those works, was for some time employed. In
1784 he left Derby and returned to London; but about 1794 fresh
articles of agreement were entered into, and a supplemental
agreement drawn up same day covenanted that “wherever three
shillings and sixpence per day occurs in the aforesaid
agreement, the words ‘seven shillings’ shall be inserted in Z
Boreman’s agreement, when regularly executed on stamps.” He
was to employ himself in painting, and in improving the enamel
colours, &c. He is said to have died in London in 1810.
R. B. BOWMAN, of Goswell Street, London, was engaged by articles
of agreement, dated May 6th, 1793, to come down to Derby, and
agreed to be there in three weeks from the 12th of that month.
A week afterwards, however, he begged to have the agreement
cancelled, as he had had “a beneficial offer in London, in the
engraving branch,” at 30_s._ a week.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account