The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
A pottery was established here in 1762, by Messrs. Christopher
Thompson and John Maling, for the manufacture of the ordinary brown
and white earthenware for the home trade, and also for France: the
first printed ware made in the North of England was manufactured here.
The works were also celebrated for their enamel and lustre wares. In
1817 their successor, Mr. Robert Maling, removed his works from Hylton
to the neighbourhood of Newcastle-on-Tyne, where he manufactured
principally for the Dutch markets. They were afterwards carried on by
Dixon, Austin, Phillips, and Co., who at the same time carried on the
Sunderland Pottery (which see).
In the Mayer Museum is an excellent example of this lustre ware. It
is a large jug, of creamy-white earthenware, very light, ornamented
with purple lustre in wavy lines, &c. On one side of the jug is an
engraved and coloured view of the iron bridge over the river Wear,
and underneath it (engraved and transferred from the same plate)
in three small ovals, with borders, &c., are the inscriptions:--“A
South-East View of the Iron Bridge over the Wear, near Sunderland.
Foundation-stone laid by R. Burdon, Esq., September 24th, 1795.
Opened, August 9th, 1796. Nil Desperandum. Auspice Deo.” “Cast Iron,
214 tons; Wrought do., 40.” “Height, 100 feet; Span, 256.” “J.
PHILLIPS, HYLTON POTTERY.” On the other side of the jug is another
engraving, having in its centre a tree, on one side of which, in the
distance, is a ship, and on the other a public-house. In the foreground
of the ship side of the tree is a sailor; and on the other a woman with
hat and feathers, an umbrella, and a little dog. Underneath are the
words--“Jack on a Cruise. ‘Avast there! Back your maintopsail.’” In
front of the jug, beneath the spout, in an oval, occurs the verse:--
“REST IN HEAVEN.
“There is an hour of peaceful rest
To mourning wanderers given;
There’s a tear for souls distrest,
A balm for every wounded breast--
’Tis found above in Heaven.”
In my own collection is another example of this white ware with purple
“lustre-splash” ornament. On one side is an engraving, in an oval, of
the same bridge; and around the oval the inscription--“A West View of
the Cast Iron Bridge over the River Wear; built by R. Burdon, Esq.
Span, 236 feet; height, 100 feet. Begun, 24 Sept., 1795. Opened, 9
Aug., 1796.” On the other side, a ship in full sail. Another example
is a punch-bowl. Like the others, it is decorated with purple lustre,
and with views, ships, and verses in transfer-printing. On the bottom,
inside, is a similar view of the Wear bridge to the one just described,
in an oval, with the same inscription. The inside is divided into three
compartments, in one of which is a ship in full sail, with the words--
“May Peace and Plenty
On our nation smile,
And Trade and Commerce
Bless the British Isle.”
in another, in a border of flowers, surmounted by a small ship, is this
verse:--
Public-domain text, read in full here on John Shaqi.
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