The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
“Messrs. C. and W. have also a variety of TEA and DESSERT
SERVICES of modern and approved patterns; and by arrangements
already made, and a strict attention to the orders with which
they may be favoured, they hope to obtain the honor of that
patronage they now venture to solicit, and which it will ever be
their most earnest endeavour to merit.
“N.B.--Ladies or Gentlemen may have Figures, Ornaments, &c.
executed from models or drawings of their own.
“Friar Gate, Derby, Feb. 28, 1826.”
Their place of business was at the bottom of Friar Gate, near
St. Werburgh’s church; Cocker living on the opposite side of
the street, a little higher up, where he erected a kiln and
all the necessary appliances. The business, however, did not
answer well; the partnership with Whitaker was terminated;
and in 1840 Cocker removed with his family to London. Here,
in Chenies Street, Tottenham Court Road, he carried on his
business of china figure making, and had a small shop in
Regent’s Quadrant for their sale. This again not answering, he,
in 1853, obtained an engagement with Messrs. Minton and removed
to Stoke-upon-Trent, where he died, at the age of 74, in 1868,
His figures and busts, of which he produced a goodly variety,
were of small size, and were produced both in biscuit and
painted. They were very clever and meritorious. He also made,
rather extensively, as they met a ready sale, small baskets
of beautifully-formed raised flowers; and brooches and other
trinkets in the same way. In these he was assisted by his sons,
daughters, and nephew. Groups of animals were also produced.
GEORGE COMPLIN was one of the most noted painters at the works,
many of his landscapes being of high character. He must have
been an old man in 1794, for in one of his letters (Sept. 18) of
that year he says, “I think my hair admits of more respect.” In
the same letter he speaks of his employment, “the variety I do,
and the variableness of the work.”
WILLIAM COOPER was a clever flower painter, 1770–76.
WILLIAM COOPER, son of Sarah Cooper, of Derby, was apprenticed
for seven years on the 1st of January, 1777, to learn the “Art
of Painting upon China or Porcelain Ware.” His father also,
I believe, had been employed at the works about 1770, to his
death, in 1776.
Public-domain text, read in full here on John Shaqi.
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