The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
WILLIAM CORDEN, born at Ashbourne, 28th Nov. 1797, and was
apprenticed to the Derby China Works in 1811. He remained some
time after the conclusion of his apprenticeship, and then
commenced as a miniature and portrait painter. In 1829 he was
employed in painting portraits at Windsor Castle, and from that
time continued to receive royal commissions. In 1843 he was
employed to paint by the Queen, and in the following year was
sent by the Prince Consort to the Castle of Rosenau, in Coburg,
to copy family portraits for him. He died at Nottingham, 18th
June 1867. A workman named Corden was also connected with the
Liverpool pot-works.
WILLIAM COTTON, a painter of landscapes and rural scenes, in the
early part of this century.
WILLIAM CRESSWELL, a flower-painter.
J. DEARE was a modeller of considerable note, in London, and was
employed by Duesbury to model various groups and figures in 1784.
WILLIAM DEXTER, a fruit, flower, and bird painter; became a
noted enamel painter and draughtsman. He died in 1860, and
his wife--Mrs. Dexter--was the celebrated costume lecturer on
“Bloomerism.”
RICHARD DODSON, a clever painter of birds, was the son of
William Dodson, one of the late foremen.
WILLIAM DIXON, a painter of humorous figure subjects.
JOHN DUESBURY, overlooker and private timekeeper.
ELIN was a painter and gilder from 1786 to 1795.
J. FARNSWORTH was an apprentice, and remained when out of his
time. He died in 1822.
JOHN FROST, son of William Frost, of Nottingham, was bound
apprentice to Edward Phillips, “China or Porcelain Painter,”
on the 16th of April, for seven years, “to learn the art of
Painting upon Porcelain ware,” and on the 25th of February
in the following year (1771) he was transferred, by fresh
indenture, to Mr. Duesbury.
WILLIAM GADSBY, of Little Chester, mould maker, bound himself
by agreement, dated September 2, 1772, for four years (“in the
Art of Making Molds”), at ten shillings per week; Mr. Duesbury,
in addition, agreeing “to give William Gadsby a Waggon Load of
Coals at the end of every year.”
WILLIAM HALL, a flower-painter.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account