The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
MULLINS, a figure and landscape painter, was engaged for one
year certain to come down from London in 1795, to paint in
enamel on porcelain by the piece, at a fixed scale of charges,
on which for the first month he was to have 20 per cent., and
the second month 10 per cent. additional. The prices, in the
original list in my possession, are very curious.
JOHN MUSGROVE, kiln man and labourer about 1796.
WILLIAM PEGG, a Quaker, was a remarkable man in more ways than
one. He was a tolerably clever painter, but of a very erratic
and changeable character, and a religious enthusiast; indeed,
judging from his writings, there can be but little doubt that
he was not in all things perfectly sane. He wrote a singular
account of himself, “Traits in the singular life of that
persecuted man, for his obedience to the Truth, W_{m} Pegg, who
joined the Society of the People called Quakers in the year
1800,” in which he traced his descent from Abraham, “who is
said to be the Father of the Faithful,” because his family were
of the seed of Esau, red; and that on his mother’s side he was
descended from Ishmael, because she (his mother) and “all her
kin are swarthy and marked with a brown freckle.” William Pegg
was the son of Thomas Pegg, of Etwall, near Derby, who was a
gardener at Etwall Hall, and a member of the parish choir, where
he played the hautboy; from here he removed to Whitmore, in
the Staffordshire pottery district. William Pegg was born in
1775, and two years afterwards his father removed to Shelton,
where, at the age of ten, William Pegg was sent to work at a
pottery. At fourteen he was put to learn the painting on china
and earthenware, and when of age removed to Derby, and engaged
himself at the china works till he was twenty-three, when he
gave it up, and took to the stocking frame, at which he worked
at one place or other for twelve years. He then, in 1812,
returned to his old occupation, “making drawings and pictures
and painting china,” till 1820, when he again gave it up, and
commenced a small shop. He married Anne Hendley of Derby in
1814, and died in 1851. Pegg was a clever painter of flowers,
and his productions had the merit of being, in almost every
instance, painted from nature.
THOMAS PEGG, a brother of William Pegg, was one of the gilders
for many years.
WILLIAM PEGG, of a different family, was an apprentice at the
works in the beginning at the present century, but left, and
became a clever designer for calico printers.
ROBERT PENNINGTON, painter, 1775.
EDWARD PHILLIPS, of Derby, “China or Porcelain Painter,” by
agreement entered into September 2, 1772, bound himself as a
china painter, at twenty-five shillings per week. He afterwards,
I believe, removed into Staffordshire, where he carried on
business on his own account.
Public-domain text, read in full here on John Shaqi.
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