The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
JOHN PORTER, son of Elizabeth Porter, of Spoondon, widow, was
apprenticed for seven years, on the 7th of April, 1777, “to
learn the Art of Painting upon China or Porcelain Ware.”
HENRY L. PRATT, a landscape painter, was apprenticed at the
Derby works, and afterwards, employed in Staffordshire. He
became a clever artist in oil, and died in 1873.
E. PRINCE, a landscape painter.
RICHARD ROBERTS, one of the Chelsea workmen, under Duesbury at
Chelsea, was a soldier and pensioner at Chelsea Hospital, and
was allowed occasional furlough to paint at Derby. Mr. Duesbury
endeavoured to procure his discharge, so that he might remain
with him. Here is one of the orders regarding him: “By Order of
Sir George Howard, K.B., General of His Majesty’s Forces, and
Governor of the Royal Hospital at Chelsea. Permit the Bearer,
Richard Roberts, a pensioner in the above-said Hospital to pass
from hence to Darby in Darbyshire, for the space of Two Months
from the Date hereof, and then to return to the above-said
Hospital. He behaving as becomeith. Given under my hand this
first Day of Dec^r. 1781. “L. GRANT, Adj^t.”
GEORGE ROBERTSON, a landscape painter, died in 1835.
ROBINSON, a landscape painter.
JOHN ROCKLEY, labourer; agreement for three years, from 1795 and
forward, at 9_s._ per week to be employed in the kilns, or in
any other manner.
THOMAS RODGERS was employed, at all events, from 1778 in which
year his wages were raised a shilling per week. He received this
addition for three years (£7 16s.) in January, 1782, after that,
till 1793, he received an addition of 3s. a week.
THOMAS ROGERS, timekeeper and labourer, 1780–95.
JONATHAN ROSE, a painter, came from London to Derby in 1780, and
was employed some time.
JAMES ROWSE, a late flower-painter. Now employed at the King
Street Works.
SARTINE was a modeller in London, employed by Duesbury in 1790,
on the recommendation of Vulliamy, to model figures.
CHARLES SHEEN, a clever thrower and presser, formerly of
Worcester, and in 1791, at the New Hall works at Shelton, was
engaged for Derby.
THOMAS SIMES (or SIMS) was an apprentice, from the age of 11 to
21, to Mr. Duesbury; in 1792 he absconded, and a warrant was
issued for his apprehension, and endorsed for the county of
Stafford.
MUNDY SIMPSON, a gilder and general painter.
WILLIAM SLATER, born at South Normanton, was an apprentice at
the Pinxton works, but came to Derby in 1813. He was a good
general painter. He died in Staffordshire in 1867. Two of
his sons, William and Joseph, were apprenticed at the Derby
works. They and their sons rank among the best painters in the
Staffordshire potteries.
Public-domain text, read in full here on John Shaqi.
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