The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
CONSTANTINE SMITH, of Derby, in the county of Derby, preparer of
colours and porcelain painter and enameller, was one of the best
“hands” at the Derby works. On the 28th of October, 1773, his
son William Smith was bound apprentice to him.
WILLIAM SMITH, who had on the 28th October, 1773, been bound
apprentice to his father, Constantine Smith, to learn “the art
of preparing colours, and Painting and Enameling Porcelain,”
agreed with Mr. Duesbury, to whom he had “finished his time,”
and been since employed, in 1790, to employ himself “in
preparing enamel colours, painting china, or otherwise at
the discretion of Mr. Duesbury.” Up to this time he had been
receiving a guinea a week, but on the signing of this fresh
agreement Duesbury was to pay him £10 down, and to raise his
wages to 25_s._
JOSEPH SMITH was a landscape painter; he had 7_s._ a dozen for
painting teas No. 115 in 1792.
WILLIAM SMITH, son of Hannah Smith, of Derby, agreed “to make
colours for painting on china or porcelain ware,” and by
covenant entered into on the 23rd of November, 1778, agreed
as follows:--“I do hereby promise to pay to my mother, Hannah
Smith, weekly, and every week, out of the wages I may get under
Mess^{rs} Duesbury & Co., the sum of eighteen shillings, to
commence from this date and expire the 28th October, 1780.
Witness my hand, this 23_{d} Nov^r 1778.--W. SMITH.”
THOMAS SOARE was an apprentice to Duesbury, and afterwards
employed by him. He was son of ---- Soare, of Little Chester,
and was a clever gilder and arabesque painter. After leaving
the China Works, Thomas Soare commenced, in 1810, a small
business on his own account. The following is his advertisement,
copied from the “Derby Mercury” of April 5th, 1810:--“Enamelled
China.--Thomas Soare, with the greatest respect, begs to inform
the Nobility, Gentry, and Public at large that he enamels
Dessert, Breakfast, and Tea Services with Arms, Crests, Cyphers,
&c., in the most elegant manner and on the most reasonable
terms. His long experience in the Derby Porcelain Manufactory
encourages him to look with confidence for support, which it
will be his study to deserve and his pride to acknowledge.
N.B.--Ladies instructed to Paint china at their own apartments,
on reasonable terms. Navigation Row, near St. Mary’s Bridge,
Derby.”
THOMAS SOUTHALL, “son of Humphrey Southall, of the Borough
of Derby, Pincher,” was apprenticed on the 25th of December
(Christmas Day) 1772, for seven years “to learn the Art of
Painting upon China or Porcelain Ware.”
J. STABLES, a clever gilder, was employed for very many years.
JOHN STANESBY, a flower painter in the latter days of the works.
Public-domain text, read in full here on John Shaqi.
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