The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
At this pleasant little village (so celebrated for its hall, now in
ruins, where Charles I. passed a night, and as being the place from
which the family of Hardinge, now represented by “Baron Hardinge, of
Kings Newton,” takes its origin) one of the finest assemblages of
examples of Anglo-Saxon Ceramic Art has been brought to light,[37]
and here, in recent times, pottery of a good quality and excellent
character has been made. The Anglo-Saxon urns[38] were, there can be no
possible doubt, made from the same bed of clay from which the modern
specimens have been produced, but it seems not to have been worked
in intermediate times. About 1852 Mr. Henry Orton (brother to James
Orton, author of “The Three Palaces,” “Excelsior,” &c., and himself a
writer of no mean repute under the _nom de plume_ of “Philo”),
then of the Chauntry House, Kings Newton, considering the bed of
clay at this place well adapted for useful and ornamental purposes,
erected workshops, sheds, and kilns, and commenced the manufacture
of garden-vases, chimney-tops, flower-boxes and pots, brackets, and
a large variety of other articles. These he produced both in their
natural colour and surface-painted and gilded, and many of them were of
excellent design. From one of the beds of clay a fine red terra-cotta
was produced, and from another a fine buff colour was made. Mr.
Orton was so impressed with the importance of these beds for ceramic
purposes, that he caused a number of domestic and ornamental articles
to be made in the Staffordshire potteries from Kings Newton clay, and
the results were highly satisfactory. Circumstances, however, occurred
which prevented his plans being matured, and after a large expenditure
of time and money on his part they were abandoned. The place is now
carried on as a steam brick yard, and the clay is of so good and
tenacious a quality that the maker stamps the name of KINGS
NEWTON on each brick produced.
Of the articles made from this clay (which, being very few, are
now of the utmost rarity), I possess examples. One of these is a
butter-cooler, with perforated cover and twisted handles, formed of
red unglazed clay of remarkably fine and compact character. Another is
a pressed jug, with groups of relief flowers, in a chocolate-coloured
clay; partly lined with white slip inside, and glazed in its
natural colour. The other examples are a terra-cotta flower-vase and
stand of fine light buff-coloured clay, and a two-handled goblet or
drinking-cup, silver lustred, and of excellent quality. This is made of
the brown, or chocolate, clay. The probability is that some day these
clays may be turned to better account than that of making bricks for
railway tunnels.
BURTON-UPON-TRENT.
Public-domain text, read in full here on John Shaqi.
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