The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
About 1832 Mr. William Edwards, a solicitor, of Derby (brother-in-law
of the second Mr. William Duesbury of the Derby china works), in
conjunction with a Mr. Tunnicliffe, commenced an earthenware (yellow
ware) manufactory at the Hay, Burton-on-Trent. Later on the manufacture
of china or “artificial marble” was commenced; workmen having been
brought from the Potteries and from Derby. The works, which were in
High Street, only continued in operation for a very few years, and
the productions were not marked. Mr. Edwards, in his ornamental ware,
confined himself mainly to the production of figures, but they were,
both commercially and artistically, complete failures. “Mr. Edwards’s
artificial marble gods and goddesses, made at the Burton-on-Trent
works, came out of the oven with their limbs twisted into every
conceivable form.” On Mr. Edwards’s failure the works were closed, and
he removed to Butt House, near Woodville, at that time known as Wooden
Box. Mr. Edwards employed some really good workmen, amongst whom was a
clever modeller named Wornell, who, besides, was an excellent stuffer
of birds. Some good examples of Wornell’s work are in the possession
of Mr. Abram Bass, by whom much of this information has kindly been
supplied to me.
SWADLINCOTE.
_Swadlincote Potteries._--The works of Messrs. Sharpe, Brothers, and
Co. were established, and erected, by the late Mr. Thomas Sharpe, in
1821, and were carried on by him, alone, as “Thomas Sharpe” until 1838,
in which year he died. They were then continued by his brothers under
the style of “Sharpe, Brothers, and Co.,” under which firm they are
still carried on; the sole proprietor being the last surviving brother,
Mr. Edmund Sharpe. The productions of the firm are the same as those of
the general district, viz., the “Derbyshire Ironstone Cane (or Yellow)
Ware” (a name by which this ware has for upwards of a century been
known, and which is the speciality of the district); buff drab ware,
fire-proof ware, Rockingham ware, mottled ware, and black lustre ware.
In “Derbyshire Ironstone” plain and pressed jugs and mugs; bowls of
various kinds; ewers and basins, tea-pots, cups, and jars of various
kinds; beef, jelly, bread, stew, and other pans; and every description
of household vessels are made, as they are also in the buff drab ware.
In the Rockingham, mottled, and black lustre wares, tea and coffee pots
in endless variety of patterns, “Bohemian,” “American,” “Rebecca,”
“Shakspere,” “Fuchsia,” “Ivy,” “Chinese,” “Cottage,” “Mandarin,” “Royal
Flute,” “Gipsy,” &c., &c.; pressed and plain jugs and mugs of good
designs; and many other useful articles are made. Blue printed goods
are also produced.
Among many ornamental specialities of these works may be named the
“Toby Fill-pot” jugs, which are made in both coloured and Rockingham
ware, on much the same model as the older jugs of that name; one is
shown on Fig. 140.
[Illustration: Fig. 140.]
Public-domain text, read in full here on John Shaqi.
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