The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
The more ordinary classes of goods for general use and consumption are
all of good quality, whether produced in the ordinary earthenware,
the stoneware, or any other kind of body, and in all these classes
Messrs. Copeland are very large producers. Their “crown ware” has so
good a body as to stand the heat of the hard kiln, and thus to take the
richest tints of crimson, &c. The ship fittings--the _Atlantic_
washtop slab especially--are considered to be among the best produced.
It ought also to be added, that Messrs. Copeland were the first to
introduce those elegant and most convenient novelties, “Gordon Trays,”
which they produce in a variety of forms.
[Illustration: Fig. 169 and 170.]
[Illustration: Fig. 171.]
The principal artists employed are Hürten, who has attained, and
deservedly so, the distinction of being one of the best flower-painters
in Europe; Weaver, whose birds are equal to those of any other painter;
Besche, a figure and general painter of great power and excellence; and
Abraham, Junior (a gold medallist), a figure painter of much promise.
Besides these, a number of other talented artists are employed, and the
staff of enamellers, ground-layers, and gilders, includes some of the
best obtainable in each department. In these works, too, female talent
has been highly cultivated, many of the productions of the paintresses
evidencing pure feeling and cultivated taste. The whole is under the
control of Mr. R. F. Abraham, as Art-director of the establishment.
Mr. Abraham, who was formerly at Coalport with Mr. Rose, was a student
of Antwerp and Paris, and is a successful follower of the school of
Etty. The softness of touch, the purity and delicacy of feeling, and
the sunny mellowness of tone, as well as the chasteness of design and
correctness of drawing, produced on the best pieces of his productions,
show him to be a thorough artist, and place him high above most others
in this difficult art, while his intimate knowledge of all the phases
and intricacies of Art, and of all the processes of the manufacture,
render him peculiarly fitted for the post to which he has been called.
[Illustration: Fig. 172.]
The marks successively used by this firm in its various changes are as
follows:--
[Illustration: SPODE]
Sometimes impressed in the body, and at others pencilled on the glaze;
also SPODE in larger capital letters.
[Illustration:
SPODE
Felspar Porcelain]
Also impressed, or painted, or printed on the ware.
[Illustration:
SPODE
Stone-China
or
SPODE
Stone-China
Fig. 175 and 176.]
Printed in blue on the bottom of the goods of that description.
These, with immaterial variations in detail, were all printed on the
ware.
[Illustration:
SPODE
_Spodes_
NEW FAYENCE
Spode’s
Imperial
Spode
Filspar
_Porcelain_
Figs. 177 to 180.]
SPODE, SON
& COPELAND or SPODE & COPELAND, both impressed and printed.
[Illustration:
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