The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
COPELAND & GARRETT
LATE
SPODE
COPELAND & GARRETT
LADE
SPODE
NEW FAYENCE
COPELAND & GARRETT
NEW
BLANCHE
COPELAND AND GARRETT
COPELAND
& GARRETT
Figs. 181 to 186.]
[Illustration:
C & G
with the name of
the pattern.
COPELAND & GARRETT
LATE
SPODE
THE TIBER
COPELAND & GARRETT
+ NEW +
JAPAN STONE
COPELAND & GARRETT
NEW
FAYENCE
Figs. 187 to 190.]
All the above printed on the ware.
[Illustration:
COPELAND
LATE SPODE.
Copeland Late Spode
COPELAND late SPODE.
COPELAND
LATE SPODE
COPELAND
COPELAND
COPELAND PATENT JASPER
COPELAND
COPELAND
STONE CHINA
WT. COPELAND & SONS
COPELAND
COPELAND
COPELAND
B
Figs. 191 to 203.]
The following are the dates when some of the most celebrated printed
patterns were first introduced:--“Castle,” 1806; “Roman,” 1811; “Turk,”
1813; “Milkmaid,” “Dagger-border,” “Tower,” “Peacock,” and “New
Temple,” 1814; “New Nankin,” “New Japan,” and “India,” 1815; “Italian”
and “Woodman,” 1816; “Blossom” and “Pale Broseley,” 1817; “Waterloo”
and “Arcade,” 1818; “Lucano” and “Ship,” 1819; “Panel Japan,”
“Geranium,” and “Oriental,” 1820; “Font” and “Marble,” 1821; “Bud and
Flower,” “Sun,” “Bonpot,” and “Union,” 1822; “Double Bonpot,” “Blue
Border,” and “Filigree,” 1823; “Image” and “Persian,” 1824; “Etruscan”
and “Bamboo,” 1825; “Blue Imperial” and “Union Wreath,” 1826.
[Illustration: Fig. 204.]
MINTON & CO.
Public-domain text, read in full here on John Shaqi.
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