The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
Minton uttered the well-known words,
“Say no more on the subject, Mr. Boyle. I will make these
tiles if they cost me a guinea each!” We do not hear that any
other remonstrance followed this rebuke. The late Harriette,
Duchess of Sutherland, was one of the early patrons of the tile
manufacture; and, indeed, the Staffordshire potteries generally
are much indebted to her Grace for the great encouragement she
ever gave, and the interest she ever took in every improvement
calculated to elevate the character of our manufactures,
and advance the prosperity of the district. Her example and
influence amongst the nobility afforded much encouragement to
the British potter, and tended greatly to the attainment of that
success in the art which has been so marked of late years. The
tiles were extensively introduced at Trentham Hall, and some
of the finest of the early specimens are to be found there.
The first work of great importance that was undertaken was the
floor of the Temple Church, London. Lewis N. Cottingham, Esq.,
F.S.A., made an examination of the Chapter House, Westminster,
in January, 1841, in order to procure suitable examples for
the tiles proposed to be used in the restoration of the Temple
Church. On the removal of portions of the boarded floor the
pavement was found to be in a very perfect state, few tiles
being broken, and the colours in many parts as brilliant as
when laid down. Mr. Minton undertook to reproduce the various
designs composing this ancient pavement. It was a work of
great labour and difficulty; but was accomplished to the
satisfaction of the architect, and all others interested in
the work. The charge made was merely nominal, taking into
account the great expenditure necessarily involved at a time
when so many difficulties still attended the manufacture. Mr.
Minton was a diligent collector of old tiles, and friends
amongst the nobility, gentry, and clergy, in all parts of the
country, ministered to his taste, and sent him either examples
or sketches of such as they met with in their travels; nothing
pleased him better than to receive choice specimens and to
superintend their reproduction. The late Mr. Welby Pugin
furnished Mr. Minton with many tile drawings, some of which he
had designed during his many night journeys to Staffordshire,
whilst engaged in the extensive works for Lord Shrewsbury, at
Alton Towers and Cheadle Church.”
[Illustration: Figs. 234 to 239.--Minton’s productions.]
[Illustration: Figs. 240 to 243.]
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