The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
In June, 1840, Mr. Richard Prosser took out a patent for making a
variety of articles from clay in a powdered state, viz., buttons,
tesseræ, floor tiles, glazed tiles, &c., by pressure; by preference
using screw presses of different powers for articles containing up to
and including fifty square inches of surface in each piece; articles of
larger surface, and of course requiring a greater pressure, being made
by hydraulic press, the pumps of which were worked by steam. Patents
were taken for England, France, and America. That for France lapsed
in consequence of a condition of the French patent law requiring the
process being worked in that country within six months of its date;
the political condition of France at that time, in the opinion of the
patentee, not being safe for the investment of capital. Of this
patent and its application, the following notes, drawn up for me by Mr.
John Turley, are of especial interest.
“The English patent was very early introduced to the firm of
Minton and Boyle, of Stoke-on-Trent. Mr. Minton took a lively
interest in it, but not so Mr. Boyle. Mr. Prosser sold the
half part of the English patent to Mr. Minton. Arrangements
were made for the prompt commencement of making glazed tiles,
tesseræ, and buttons, at Messrs. Minton and Boyle’s works. Two
work-rooms were given up to Mr. John Turley, engineer, who at
first placed six button presses in one, and a large tile-press
in the other, and commenced making white glazed tiles (6 in.)
and buttons in these works in August, 1840. Prior to this
time, white glazed or Dutch tiles (6 in.) could be bought in
the London market for less money than paid to the journeyman
potter for making this article at Stoke. The demand for white
glazed tiles was soon very great, and has subsequently become
a staple article of manufacture in most potting districts by
this process. Buttons, tiles, and tesseræ continued their
progress in numbers manufactured until 1843, when, on March
8th, the process of making tesseræ was exhibited by Mr. Turley
at the Society of Arts, London--Lecture by Cowper; Paper read
by Blashfield--and 290 boxes of buttons, three dozen in each,
given away at the doors. March 11th, 1843, the same press
and process was exhibited by Mr. Turley at the Marquess of
Northampton’s soirée, as President of the British Association--a
brilliant gathering, at which were present Prince Albert, the
Duke of Wellington, Sir Robert Peel, a number of bishops, and
about thirty foreign princes. The late Prince Consort took so
much interest in the process, that Mr. Prosser and Mr. Minton
decided that a description of the process and a drawing of the
press as then seen at work should be prepared forthwith, and
presented to his Highness, which was done, and presented on
the 15th of March, 1843. This paper, with copy of drawing of
the press, was reproduced in Dr. Ure’s ‘Dictionary of Arts and
Public-domain text, read in full here on John Shaqi.
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