The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
The printed marks indicating the pattern have, in addition to the name
of the pattern (“Convolvulus,” “Trent,” “Nunthorpe,” &c.) the initials
of the firm, as “M. P. & Co.” for “Middlesborough Pottery Company,” and
“I. W. & Co.” for “Isaac Wilson & Co.”
* * * * *
_Wolviston Pottery_, now discontinued, formerly produced yellow ware.
* * * * *
_Coxhoe Pottery_, also discontinued, produced Sunderland ware.
ALNWICK.
There were formerly pot-works here; but no trace of them is now left,
save the name of the street, “Potter Gate,” where they existed. The
former name of this street was, in 1567, “Barresdale Street,” but
potters having there located themselves, it became gradually changed.
Another old street in this town now known as “Clayport,” was formerly
called “Clay-peth,” _peth_ being a provincialism for a steep road,
and _clay_ the nature of the soil; probably it was this clay that the
Alnwick potters turned to good account.
CHAPTER II.
Liverpool Pottery--Shaw’s Delft Ware--Shaw’s Brow--Zachariah
Barnes--Sadler and Green--Transfer Printing--Wedgwood’s
Printed Ware--Drinkwater’s Works--Spencer’s Pottery--Richard
Chaffers--Reid and Co.’s Works--The Penningtons--Patrick’s Hill
Works--The Flint Pottery--Herculaneum Works--Warrington Pottery
and China--Runcorn--Prescot--St. Helen’s--Seacombe.
LIVERPOOL.
It would, perhaps, scarcely be expected that in such a busy,
bustling, and gigantic place of enterprise and commercial activity
as Liverpool--in the midst of shipping of every description, and
surrounded by the most enormous and busy undertakings of one kind
or other--we should successfully look for the full and perfect
accomplishment of so quiet, so unostentatious, so peaceful, and so
delicate an art as that of the potter. But thus it is; and Liverpool,
which counts its docks by tens, its wharves and stores by hundreds, its
shipping by thousands, and its wealth by millions--which can boast its
half-million inhabitants, its overground and under-ground railways,
and every appliance which skill and enterprise can give or trade and
commerce possibly require--which has undertaken the accomplishment of
some of the most wonderful and gigantic schemes the world ever knew,
and has carried them out in that spirit of commendable and boundless
energy that invariably characterises all its actions--has not been
behindhand with its more inland and more modest neighbours in the
manufacture of delicate porcelain, and of pottery of the most fragile
nature.
It is more than probable that in mediæval times the coarse ware of the
period--the pitchers, porringers, dishes, &c.--was made on the banks of
the Mersey. The first mention of pottery, however, occurs in 1674, when
the following items appear in the list of town dues:--
Public-domain text, read in full here on John Shaqi.
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