The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
_Hollins._--The history of the famous works of Messrs. Minton,
Hollins, & Co., and of the rise and development of their manufacture
of encaustic, enamelled, majolica, and other tiles, has already been
given on pages 195 to 206, and therefore need not be repeated. In
1868, as there stated, the partnership ceased, and from that time the
manufacture of tiles passed into the hands of, and has been continued
solely by, Mr. Michael Daintry Hollins, under the old style of “Minton,
Hollins, & Co.” The productions of the works, as of old, consist of
unglazed encaustic, and tesselated, or rather, geometrical, tiles
for pavements; glazed encaustic tiles for fire hearths; majolica and
enamelled tiles for grate cheeks, flower-boxes, wall-linings, &c.; and
plain and painted tiles for various species of decoration. These are
all made from the same moulds, and of precisely the same excellent
quality both in body and decoration as under the old firm; the business
is, indeed, in every respect the same as before the dissolution.
The engravings, Figs. 271 to 282, show some of the designs of Minton,
Hollins, & Co., and are of the highest style of art. The unglazed and
the glazed encaustic tiles for pavements are made of the hardest and
most durable materials that have yet been discovered--far beyond those
of many other makers--and the workmanship as well as the designs are of
a superior order. They are made in the simple red and buff patterns of
mediæval times, as well as in various combinations of colours; among
these are black, white, buff, chocolate, salmon, green, blue, red,
grey, yellow, &c., and these are varied in their combinations to an
almost endless variety.
In majolica tiles, for flower-boxes, many effective and appropriate
designs are made; these are of bold relief and richly coloured. Among
the patterns are tulips and other flowers in high relief, painted true
to nature, and of remarkable richness. Earthenware tiles, printed or
painted, not in relief, are also largely produced for the same purpose.
For wall decoration, fire-place cheeks and linings, and other purposes,
the variety of tiles produced by the firm is very extensive, and
embraces almost every class of design. In these are some with the
patterns (notably the lily) all in very high relief, and the colouring
of the richest and most effective character.
[Illustration: Figs. 271 to 276.--Minton, Hollins & Co.’s Tiles.]
[Illustration: Fig. 277.--Minton, Hollins & Co.’s Tiles,
Philadelphia Exhibition.]
Others have their patterns painted by hand on the flat surface, by
skilled artists; and others, again, are transfer-printed, or a
combination of printing and painting. Some form a more or less rich
diaper, and others are separate or continuous patterns, while others
again form borders of more than usual elegance.
[Illustration: Fig. 278.]
Public-domain text, read in full here on John Shaqi.
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