The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
Among special patterns may be named a series of masterly designs of
Morning, Noon, Evening, and Night, represented by well-conceived
figures in blue on a black ground; a series of emblematic designs of
the Seasons, printed in chocolate or other monochrome on the white or
buff surface; and a series of allegorical, mythological, and fabulous
subjects, each treated in the same admirable manner. The body of some
is of fine white earthenware, very hard and durable, and others are
buff, grey, or cream-coloured, and in each of these bodies the tiles
are produced of many patterns and of every degree of finish.
[Illustration: Figs. 279 to 281.--Minton, Hollins & Co.’s Tiles.]
[Illustration: Fig. 282.--Mosaic and Alabaster Reredos by
Minton, Hollins & Co., Philadelphia Exhibition.]
The geometric or tesselated pavements are of every conceivable variety;
the tiles composing them being made of different forms and of all
shades of colour, but all produced with the utmost mechanical nicety so
as to “fit” in ever-changing variety. A notable feature in the tiles of
this firm is the richness, the clearness, and the purity of the colours
and the excellence of the glaze; these features, added to faultless
quality of body, to high-class artistic treatment of patterns, and to
excellence of mechanical workmanship, place them high in estimation.
Messrs. Hollins were very extensive exhibitors at the Philadelphia
Exhibition, 1876, and their productions excited great interest and
admiration. One of their main attractions was a lovely chimney-piece
composed of tiles exquisitely painted with humming birds, &c.,
and over it a lovely painting of a mother and her children executed
with perfect artistic taste and feeling on thirty tiles; this great
achievement in ceramics is shown on Fig. 277. Another notable exhibit
was a reredos in mosaic (Fig. 282), and in mosaic also was a fine head
of Washington. The rest of their exhibits consisted of every possible
variety of tiles, and all of equal excellence. The marks used are
“MINTON HOLLINS & CO. PATENT TILE WORKS, STOKE ON TRENT”; “MINTON & CO.
Patent, STOKE ON TRENT”; “MINTON HOLLINS & CO. STOKE ON TRENT”; “M. H.
& Co.,” &c., at the back of the tiles.
* * * * *
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