The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
The operations of the firm are entirely confined to Parian, and in this
they produce statuary groups and figures in large variety; statuettes
and busts, both classical, portrait, and imaginative; vases of endless
form, variety, and size; centre-pieces and comports of elegant design;
flower-stands; brackets and pedestals; bouquet-holders trinket-caskets;
cream-ewers; jugs, and a considerable variety of fancy articles.
By giving their constant and undivided attention to this one branch of
ceramic art (Parian), Messrs. Robinson and Leadbeater have succeeded
in so improving it both in fineness and purity of body and in tone
of colour, as to render their productions of far higher than average
merit. They have studied excellence of body, originality of design, and
cleverness of workmanship, as before that of marketable cheapness, and
in this they have done wisely. In material, they rank with the best
productions of many competing firms, while in fineness of surface and
careful manipulation they are scarcely excelled.
Among the designs produced by this firm are many of more than
average merit, and they are issued, in some instances, of large
size.--“_Clytie_,” a clever reproduction, is a bust of about
twenty-two inches in height, whilst several others (Gladstone,
Disraeli, Cobden, Tennyson, Dickens, and other modern celebrities)
are of various heights. Among their principal groups are “Innocence
Protected,” “Penelope,” “The Power of Love,” “Cupid Betrayed,” “Cupid
Captive,” “Golden Age,” “Rock of Ages,” “Guardian Angel,” “The
Immaculate Conception,” “Christ and St. John,” and “Virgin and Child;”
and in single figures are many well designed and faultlessly produced.
These are all good, and the same remark will apply to the remainder of
the figures and busts. The centre-pieces, comports, and flower-holders,
are characterized by the same good taste in design and the same
excellence in finish; their variety is great, and many of them have
a freshness and originality in conception that is very encouraging.
Messrs. Robinson and Leadbeater are very successful in their original
portrait busts, many of which they have produced, both for private
purposes and for sale. Among the latter, the busts of Abraham Lincoln,
Charles Sumner, and Governor Andrew, have had a very extensive sale
in the United States, to which market, indeed, the greater part of
their general statuary and other goods is sent. An excellent portrait
statuette of Queen Victoria may also be reckoned among their successful
productions. In addition to the States and the home markets, the firm
export largely to Canada, the Colonies, and Germany. They use no mark.
* * * * *
_Copeland Street._--Messrs. Billington & Co. manufacture the commonest
descriptions of china in all the usual services.
* * * * *
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