The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
_Bridge Works._--Formerly worked by Messrs. Davenport & Co., W.
Adams & Co., Minton, Hollins & Co., Jones & Co., and Grose & Son,
this manufactory is now carried on by Hancock & Whittingham for the
production of the usual useful classes of earthenware.
* * * * *
_Walker & Carter._--The manufactory now carried on by this firm
belonged formerly to Wolf, and next to his son-in-law Hamilton, and
later was worked by Z. Boyle & Co., W. Adams & Co., and Minton, Hollins
& Co. The present firm manufacture the ordinary classes of earthenware.
[Illustration: Figs. 307 to 323.]
* * * * *
_London Road (and Eastwood Vale)._--The works of Mr. William
Henry Goss were commenced in 1858 for the production of Parian,
ivory-porcelain, terra cotta, &c., and their progress from that time
as pure art-productions has been very marked. The most famous of the
specialities of Mr. Goss’s manufacture are porcelain floral jewellery
and dress ornaments, in which brooches, hair-pins, scent-diffusers,
crosses, and other beautiful articles are made; jewelled porcelain, in
which vases, scent-bottles, tazzæ and other ornaments are produced; and
vessels to be filled with perfumes, including illuminated scent-vases,
pomade-boxes, rice-powder jars, pastil and scented ribbon burners,
&c., these latter being made largely for the great Paris and London
perfumehouses. The process of modelling jewelled porcelain, just
alluded to, which is of extreme richness and beauty, is the invention
of Mr. Goss, who, many years ago observing that the enamel jewels on
the old Sèvres porcelain frequently dropped, or were rubbed, off,
turned his attention to the subject. The process adopted at Sèvres
was as follows: a gold foil was stamped into circles, ovals, and
other required forms for the reception of the enamels, which were
then pencilled on, and fired before applying them to the article they
were intended to decorate. After being vitrified into imitations
of uncut rubies, emeralds, &c., they were stuck on to the surface
of the porcelain with a flux, and again fired. The adhesion was by
this process often incomplete, and thus it frequently occurred that
part of the design became rubbed away. The process invented by Mr.
Goss for this mosaic jewellery, is, to indent the designs for the
intended jewelled decoration in the dry or moist clay before baking,
and in these to insert the jewels, which are all previously cut, and
thus attain an increased brilliancy. Being inserted into the hollow
or recess prepared for them, they are made secure. The process is
an extremely delicate but very ingenious and beautiful one, and the
effect produced is richer and finer than is attained by any other
processes. Real pearls are often also introduced by Mr. Goss with
good effect. For this and other purposes Mr. Goss has taken out a
patent “for improvements in manufacturing articles of jewellery, dress
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