The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
Messrs. Burgess, Leigh, & Co. manufacture largely the commoner
and ordinary, as well as the higher and more artistic classes of
earthenware goods, both for the home and foreign markets, and their
productions rank high in point of excellence of body, manipulative
skill, and good taste displayed in decoration. The firm produce all
the usual services, and useful as well as many highly ornamental
articles. The mark used by the firm is a beehive on a stand, with bees,
with a rose-bush on either side, and a ribbon bearing the name of the
pattern (“Kensington,” for instance,) beneath, and under this the
initials of the firm, “B. L. & CO.” Many of these patterns are
registered.
* * * * *
_The Hill Pottery China Works_, on the division of the manufactory
as already stated, in 1867, were carried on by Messrs. Alcock, Diggory,
& Co. In 1870, the firm was altered into that of Bodley and Diggory,
but in the following year, Mr. Diggory having retired, the manufactory
was continued by Mr. Edward F. Bodley. In 1874, the style was again
changed to Bodley and Son, and in 1875 to that by which it is at
present carried on, viz., Edwin J. D. Bodley. The productions formerly
embraced china, earthenware, and Parian, but are now entirely confined
to china. A speciality of Mr. Bodley’s productions is that of pans
and vases for chandeliers and lamps. These are made of various forms,
and more or less highly decorated; they form an important branch of
manufacture. Services of all the usual kinds, more or less elaborately
decorated, are also made. The markets supplied are the home and the
South Australian, New Zealand, and Colonial.
The mark used by Messrs. S. Alcock and Co. at these works was a
beehive; and that of Sir James Duke and Nephews the dexter hand
denoting a baronet.
* * * * *
_Crown Works._--Established about 1867 by Messrs. Lea, Smith, and
Boulton, these works were next occupied by Mr. W. E. Withinshawe (see
“Churchyard Works,” page 244, vol. ii.), and then by the present
proprietors, Messrs. Gaskell, Son, and Co. The productions have always
been china door furniture and similar goods (and these are now made
of remarkably good quality, and in many cases of artistic design, by
the present firm), finger-plates, knobs, scutcheons for doors, roses,
caster bowls, and other fittings; scale plates and weights; stands
and bases for lamps; an infinite variety of articles for fittings of
many kinds--white, coloured, black, enamelled, gilt, &c., &c.; while
the imitations of marbles, malachites, and other stones are remarkably
clever and good. Another speciality of these works is umbrella,
parasol, and walking-stick knobs, many of which, whether in imitation
ivory or in dead black, evince great taste in design and skill in
execution. Messrs. Gaskell and Son have taken out patents for the
manufacture of caster bowls on an improved method, and another for
improvement in turning.
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