The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
_Edwards._--Warner Edwards had, last century, works in Albion Street,
where he not only manufactured various kinds of ware, but made enamel
colours for other houses. He died in 1753, and the premises were
afterwards occupied by Messrs. J. & W. Ridgway. Mr. Thomas Daniel, an
eminent potter, was his apprentice. During his last illness Warner
Edwards handed his book of recipes to this Thomas Daniel, who was
father of Spode’s clever enameller, Henry Daniel, who afterwards, in
conjunction with his son Richard, was a successful manufacturer at
Stoke and Hanley. It is worthy of remark that Edwards was a maker of
enamel colours full twenty years before Wedgwood took out his patent
for them in 1769.
* * * * *
_Voyez._--This clever workman, a modeller, was employed by Wedgwood
about 1768, and “off and on” afterwards, but was a dishonourable and
erratic character. He produced many clever imitations of Wedgwood and
Bentley’s wares, and is said to have even stamped them with their name,
which he forged, and sold the goods as their work. Occasionally his
name, J. VOYEZ, is found impressed in the body of the ware.
* * * * *
_Palmer._--John Palmer, of Bagnall, about 1680, was a salt-glaze
potter, and was the one to whom the discovery of the use of salt was
first told (see vol. i., page 94). His son or grandson, Henry Palmer,
was also a potter at Hanley (at the Church Works, in High Street,
which he probably built), and was a successful imitator of Wedgwood’s
productions. His Egyptian black, or basalt ware, and his jasper
ware, are of great excellence and beauty and very closely resemble
those of Wedgwood. He was noted for his piracy of these goods, and
surreptitiously obtained Wedgwood’s new designs as they came out. His
piracy was, however, after a time, carried too far, and an injunction
was served upon him to restrain his making Etruscan painted vases in
contravention of Wedgwood’s patent. This ended in a compromise: Palmer
purchasing a share in the patent right. Intaglios and seals were also,
about 1772–3, closely copied by Palmer, much to the annoyance and loss
of Wedgwood and Bentley. In 1778 Mr. Palmer failed. Neale, who is said
to have been a partner with Palmer so far as his London business was
concerned, having arranged matters, the business at Hanley was carried
on under the style of “Neale & Palmer” and “Neale & Co.” The mark of
Mr. Palmer was in the same style as that of Wedgwood and Bentley--a
circle with the name in raised letters (Fig. 455). Some examples bear
the name, stamped, “H. Palmer, Hanley, Staffordshire.” Palmer and Neale
are said to have married two sisters, the daughters of Thomas Heath, of
Lane Delph; and Mr. Pratt, of Fenton, a third daughter.
[Illustration: Fig. 455.]
* * * * *
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