The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
William Ridgway, and he was the ‘Co.’ It was shortly after this (about
1833) that Joseph Mayer ceased potting, and let his works to William
Ridgway & Co. in addition to the Church Works. He, however, retained
some warehouses and stabling offices adjoining his residence, and had
these crammed with some of the best of his stock, Egyptian black, cane,
chocolate, brown, and Queen’s ware, some of the latter elaborately
perforated and painted--an indescribable jumble of most beautiful
pottery,--and there it remained locked up until his death in 1860. To
return to the Church Works: the next addition to the firm, as soon as
he was old enough to enter it, was William Ridgway’s son, Edward John,
the title of the firm being changed to William Ridgway, Son & Co. In
course of time William Ridgway retiring, the two manufactories were
carried on by his son, Edward John Ridgway, and L. J. Abington, and it
was styled Ridgway & Abington. It was ultimately Edward John Ridgway
alone, and is now Powell & Bishop, Mr. E. J. Ridgway having built large
works in Bedford Road called the Bedford Works.
* * * * *
The _New Hall Works_ are historically interesting as being the first in
which porcelain was successfully made in Staffordshire, and to them,
therefore, must be ascribed the introduction of that art into “the
Potteries,” since become so famous and so extensive. In my account
of the Bristol china works[51] I have shown how Richard Champion’s
patent (who had purchased the patent right of William Cookworthy,
of Plymouth,) was sold to a company of Staffordshire potters. This
transfer of rights took place in or about the year 1777. The company
consisted of six persons, viz., Samuel Hollins, of Shelton, Anthony
Keeling, of Tunstall, John Turner, of Lane End, Jacob Warburton, of Hot
Lane, William Clowes, of Port Hill, and Charles Bagnall, of Shelton. Of
these six persons the following are brief notices:--
_Samuel Hollins_, a maker of the fine red-ware tea-pots,
&c., from the clay at Bradwell, previously worked by the
brothers Elers, was of Shelton, and was the son of Mr. Hollins,
of the Upper Green, Hanley. He was an excellent practical
potter, and made many improvements in his art. He was afterwards
one of the partners of the New Hall China Works, and his
successors in the manufactory were his sons, Messrs. T. & J.
Hollins.
* * * * *
_Anthony Keeling_, of Tunstall, was son-in-law of the
celebrated potter, Enoch Booth, having married his daughter
Ann. Keeling succeeded Enoch Booth in his business, which he
carried on successfully for many years. He erected a large house
near the works, but in 1810, retired on a small independence
to Liverpool, where he died a few years afterwards. He was
the principal support of a small sect calling themselves
“Sandemanians,” who had their place of worship in his works.
* * * * *
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account