The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
that the gypsum must be first burnt and ground, and then cast. This
circumstance is so graphically described in the “Burslem Dialogue,”
given by Ward, that I transcribe the few following lines for my
readers’ amusement:
“_Telwright._--That wur a queer trick, wur it no’, o’ Rafy
Dennil’s?
“_Leigh._--Dun yo’ meeon th’ cause o’ his gooin’ to France,
or es ha he geet int’ th’ work hâisn theer, an seed’n aw ha they
did’n wi ther ware?
“_Telwright._--Oi meeon him foindin’ aat i’ whot wey they
mayd’n ther mewds (moulds).
“_Leigh._--That wur a fawse trick, for sartin, an o’ gret
yewse to th’ treyde. Bu’ wot a blunder th’ mesters here mayd’n,
when he sent ’em word abaat it!
“_Telwright._--Haa dust meeon, Rafy? Oi am no’ properly
insens’t on’t.
“_Leigh._--Whoy, yo’ seyn as haa they geet’n th’ plaster-ston’
fro’ Darbyshur aw reet; bu’ then, i’stid o’ fust groindin’ it
an’ bakin’ into dust loike fleawr, an usin’ th’ dust wi wayter
for t’ cast on th’ moddills, as they cawn ’em, th’ mesters had
th’ raw ston’ cut i shapes, an’ tryd’n for t’ mak things oof
’em; bu’ they cudna. Then at last he sent ’em full word haa to
dew it.”
Hard paste porcelain continued to be made at New Hall until about
the year 1810 or 1812, when the bone paste, which had been gradually
making its way in the district, finally superseded it, and the company
continued their works on the newer system. In 1825 the entire stock of
the concern, which had for a short time been carried on for the firm by
a person named Tittensor, was sold off, and the manufacture of china of
any description entirely ceased at New Hall.
The works, after having been closed for a short time, were next opened
as an earthenware manufactory by Mr. William Ratcliffe, who for a few
years continued to make the commoner description of white and printed
earthenware for ordinary home consumption. They next passed, in 1842,
into the hands of Messrs. W. Hackwood & Son, who removed from their
works near Joiner Square (now called the “Eastwood Pottery”) for that
purpose; and seven years later, Mr. Hackwood senior having died, they
were continued by the son, Thomas Hackwood. The goods were the ordinary
descriptions of earthenware, principally for Continental markets, and
bore the name of HACKWOOD impressed. In 1856, they passed into the
hands of Messrs. Cockson & Harding, who continued to manufacture the
same descriptions of goods, using for a mark C & H, LATE HACKWOOD,
impressed on the bottom.
Public-domain text, read in full here on John Shaqi.
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