The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
In 1862, Mr. Cockson having retired from the concern, the works were
carried on by the remaining partners, Messrs. W. and J. Harding
(Brothers), who did an extensive trade with Holland and Italy. Besides
the cream-coloured and printed wares for foreign trade, druggists’
fittings formed a staple branch. Black, Egyptian, Rockingham, and
tinted wares too were made. In 1872 Messrs. Harding gave up the
business, when Mr. John Aynsley, china manufacturer, of Longton,
purchased the back portion of the works and let it to its present
occupiers, Messrs. Thomas Booth & Sons. The entire front of the New
Hall Works was purchased by Mr. Henry Hall, metal mounter of jugs,
tea-pots, &c., so that the manufactory became divided into two
distinct properties. The portion occupied by Messrs. Booth having been
burnt down has been rebuilt.
The productions of Messrs. Booth & Sons are the usual classes
of ordinary earthenware in printed, painted, enamelled and gilt
services; stone ware of good quality, in which a large variety of
jugs and tea-pots are made; and jasper ware, in various ornamental
articles. Among their shapes of toilet ware are the “Eldon,” “Globe,”
“Alexandra,” and “Cottage;” and among their specialities in other
goods are a self-closing hot-water jug, and a molasses jug, which are
considered very successful.
[Illustration: Fig. 458.]
[Illustration: Figs. 459 and 460.]
Specimens of the hard paste of the New Hall Works are rare. They are
almost entirely without mark; but sometimes there is an incised letter
N as here shown. Fig. 460 exhibits a beautifully painted teapot. On
one side is a group of children playing at blind man’s buff. They
are dressed in the characteristic costume of the latter part of last
century, but what renders the group peculiarly interesting is that in
the background is a view of a pot-works, with kiln, which may probably
have been a representation of the works when this interesting piece was
made. On the opposite side of this teapot is an equally well painted
group of a boy riding on a dog, and on the lid are also two little
figure vignettes. This piece was made for, and belonged to, one of the
partners, Charles Bagnall, from whose family it passed more than half a
century ago, by marriage, to a Mr. Sutton, from whose own octogenarian
hands it passed into my own. It was painted by Duvivier, a French
artist of celebrity, who, as well as Bone, was employed at these works.
Fig. 459 is a cup and a saucer of excellent form and twisted fluting.
Fig. 462 is a jug, carefully painted with birds, and bearing in front
the initials S. D. This jug was made at New Hall for Sampson Daniel, a
cousin of John Daniel, one of the partners, and is still in possession
of his grandson, Mr. Daniel, of Hanley. The coffee cup and saucer (Fig.
464) is a good and characteristic specimen; and Fig. 463 is one piece
of a dessert service, belonging to Mr. Gray, which was made for Mr.
Daniel, one of the partners.
Public-domain text, read in full here on John Shaqi.
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