The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
The porcelain made at New Hall principally
consisted of tea, dinner, and dessert services, of various designs; but
figures and busts, as well as vases, were also, to some extent produced
there.
[Illustration: Fig. 461.]
The later productions of the New Hall China Works, the soft paste, are
also scarce, especially the marked pieces. The body is of good colour,
and clear, and the decorations, especially the flowered examples, are
remarkable for the brightness of their colours. The only mark used--and
this was not, it appears, adopted until after 1820--is the one here
shown.
[Illustration: Figs. 462 to 464.]
Batt printing was practised at New Hall, and some remarkably good
examples have come under my notice. In 1810, Peter Warburton, on behalf
of the company of which he was a partner, is said to have taken out a
patent “for printing landscapes and other designs from copper plates,
in gold and platinum, upon porcelain and pottery.” The company was also
among the first to adopt the improvements in printing on ware made by
William Brookes in the beginning of the present century.
* * * * *
_Glass._--Joseph Glass was a potter in Hanley, in the middle of the
seventeenth century, and his works are stated to have been still
carried on by him or his son, Joseph Glass, in the beginning of the
eighteenth. “Joseph Glass ... clowdy, and a sort of dishes, painted
with different coloured slips, and sold at 3_s._ and 3_s._ 6_d._ per
dozen.” A tyg bearing his name, IOSEPH GLASS S V H G X, painted round
the body is in the Staniforth collection. Later on the works were
carried on by John Glass, and from him passed to Samuel Keeling & Co.,
then to Meakin Brothers, and lastly to Taylor Brothers. The works
were situated in Market Street, and have of late years been pulled
down. This Samuel Keeling was great nephew to the patentee, James
Keeling, mentioned on another page, who was an important manufacturer
towards the close of the last century. Mr. Samuel Keeling, one of the
patriarchs of the potteries, resided in partial retirement at Rocester.
His firm, Messrs. Keeling & Adams, hold three mills at Hanley for
grinding potters’ materials. One of them, the Eastwood Mill, consists
of two old erections combined; one portion was a pottery worked by
William Baddeley; another, the place erected by William Baddeley’s
brother James for a silk mill. They also work the Botteslow Mill and
the Albion Mill.
* * * * *
_Twyford._--Twyford, the potter, already named, “commenced business
near Shelton Old Hall, the seat of Elijah Fenton’s family; and the only
known specimen of his manufacture,” says Shaw, “is a jug made for T.
Fenton, Esq.,” then in the possession of his descendant. Mr. Twyford
and his children and grandchildren continued as potters, and are now
represented by Mr. Thomas Twyford, of the Bath Street Works.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account