The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
In black ware, water-bottles, elegant little table
tea-kettles, spill cases, vases, and other articles are made, and are
effectively decorated with dead and burnished gilding, enamelling, &c.
[Illustration: Figs. 471 to 473.--1851. Exhibits of Messrs.
Meigh, Old Hall Works.]
In Parian, vases, groups, busts, figures, and other ornamental articles
are produced; the body is of good quality, and the modelling and finish
of faultless excellence.
The marks of these works are the following:
[Illustration: Figs. 474 to 478.]
In 1851 medals were awarded to Mr. C. Meigh, of these works, who has
also received medals from the Society of Arts.
Figs. 465 to 468 are stoneware jugs, one of which bears a young
bacchanal imbibing the juice of the grape, and Fig. 470 a candlestick
adapted from a celebrated wine cup, the work of Cellini. Figs. 471,
472, 473 exhibit three admirable pieces, a clock case, a vase, and a
drinking cup or tankard, all in statuary porcelain and of the finest
possible style of art. The works are very extensive, including mills
for grinding all descriptions of materials used in the manufacture
of pottery, and are capable of supplying a large demand. The markets
principally supplied are the home, French, German, Indian, American,
Australian, and colonial.
* * * * *
_Broad Street Works._--These works are interesting as being the place
where the celebrated “Mason’s Patent Ironstone China,” as well as
the “Ironstone China” of the old firm of Hicks, Meigh, and Johnson,
in addition to most varieties of useful earthenware, are made. Mr.
Charles James Mason, the inventor of this famous “Mason’s Ironstone
China,” was a potter of great taste and skill at Lane Delph (now
Middle Fenton), and in 1813 took out a patent for his process. The
manufacture was at that time carried on under the styles of “G. M.
and C. J. Mason” and “C. J. Mason & Co.” The partners were Charles
James Mason and his brother George Miles Mason (father of Mason the
artist) who in 1832 unsuccessfully contested the then new district
borough of Stoke-upon-Trent, his successful competitors being Josiah
Wedgwood and John Davenport, both, like himself, manufacturers in the
district. After a time Mr. G. Mason retired from the concern, and
it was then continued by the patentee alone. The concern, however,
for want of capital and from other causes, gradually dwindled down,
until at length, in 1851, Mr. Francis Morley purchased the patent,
the moulds, copper-plates (on which an immense amount of money had
been expended), and entire business, from Mr. Mason, and removed the
whole to his manufactory. Mr. Morley, who married a daughter of Mr. W.
Ridgway, and was a partner in the firm of Morley, Wear & Co., succeeded
to the old-established concern of Hicks, Meigh, & Johnson, which he
carried on for a time under the style of “Ridgway & Co.” Afterwards
Mr. Morley continued the business as F. Morley & Co. This manufactory
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