Specimens of these early printed goods, bearing Wedgwood’s mark, are rare. The curious teapot (Fig. 19) will serve as an example. It bears on one side a well-engraved and sharply printed representation of the quaint subject of the mill to grind old people young again--the kind of curious machine which one recollects in our boyish days were taken about from fair to fair by strolling mountebanks--and on the other an oval border of foliage, containing the ballad belonging to the subject, called “The Miller’s Maid grinding Old Men Young again.” It begins-- “Come, old, decrepid, lame, or blind, Into my mill to take a grind.” [Illustration: Fig. 19.] The teapot is marked WEDGWOOD. In the possession of Mr. Beard, of Manchester, is a fine dinner service of the printed “Queen’s ware,” and other pieces of interest. In the Museum of Practical Geology is an example of this printing, the design on one side of which is a group at tea--a lady pouring out tea for a gentleman, and on the opposite side the verse:-- “Kindly take this gift of mine, The gift and giver I hope is thine; And tho’ the value is but small, A loving Heart is worth it all.” Examples of Liverpool made pottery, printed by Sadler and Green, are also of uncommon occurrence. In the Mayer Museum the best, and indeed only series worthy the name in existence, is to be found, and to these wares I direct the attention of all who are interested in the subject. Of TILES printed by John Sadler and Guy Green, many examples are in existence--a large number, some bearing their names, being in Mr. Mayer’s Museum. Of these I also possess examples, and others again are found in other collections. They are remarkable for the sharpness of the engraving, the wonderful clearness and beauty of the transfers (the ink used being evidently far superior to that usually used at the present day), and excellence of the glazes. They are printed either in black, green, red, or purple, and the devices are extremely varied. It is interesting to add, that the same copper-plates which were used for decorating these Delft ware tiles were used also for ornamenting mugs, jugs, &c., of finer earthenware. Adam Sadler died on the 7th of October, 1788, aged eighty-three, and his son, John Sadler, the 10th of December, 1789, aged sixty-nine, and they were buried at Sefton. * * * * *