The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
It is worthy of note that at this time, although much within the ten
years stipulated for the partnership, the name of William Duesbury
alone usually occurs. It is true that in some instances “Duesbury
and Co.,” and “Duesbury and Heath,” are met with, but these are the
exception. The works at Derby continued now rapidly to extend, and
fresh articles and subjects were being continually added to those
already made. The best available talent was got together, apprentices
were taken to the modelling, the painting, the making or “repairing”
of china, and other parts of the manufacture, and it was soon found
advisable to have a regular warehouse in London.
The mark used in the earliest days of the works is not certain, but I
believe, and I have reason for that belief, that it was simply the
letter D, which, would stand either for “Duesbury” or for “Derby;”
probably in gold. The figures and groups, too, were numbered and
registered for reproduction.
On the 17th of August, 1769, Mr. Duesbury arranged for the purchase of
the Chelsea China Works, their purchase being completed on the 5th of
February, 1770, when a payment of £400, in part of the purchase-money,
was made by Mr. Duesbury, who thus, as the proprietor of the Derby and
the Chelsea Works, became the largest manufacturer in the kingdom.[10]
The history of the Chelsea Works has already been fully given in the
first volume of this work, and therefore it is only necessary here to
say, that in 1862, in my paper on the Derby China Works, in the _Art
Journal_, I was for the first time enabled to state the fact that
Mr. Duesbury purchased “the Chelsea Porcelain Manufactory, and its
appurtenances and lease thereof,” on the 5th of February, 1770, and
that it was covenanted to be assigned over to him on or before the 8th
of that month; the date of the arrangement to purchase being August
17th, 1769. For some few years, then, Mr. Duesbury carried on both
establishments, and subsequently removed the models and some of the
workmen to Derby, where also he removed such of the models, &c., from
Bow, which had likewise come into his possession. The purchase of the
Chelsea Works soon entailed upon him the commencement of some heavy law
proceedings which lasted many years. The cause of these proceedings
was the attempt at recovery of a quantity of goods claimed by Duesbury
as a part of his purchase, being goods made by Spremont, and of his
material, but which were afterwards sold, it was said, wrongfully, by
Francis Thomas, to a person named Burnsall. The action was commenced
in 1770, and in 1771 Mr. Spremont, the old proprietor of the Chelsea
Works, died. The proceedings, however, continued for several years.
Public-domain text, read in full here on John Shaqi.
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