The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
many sets of china being painted with views of different parts of the
estates of those for whom they were manufactured. Bronze figures of
horses--probably originally belonging to the famous Duke of Newcastle,
whose work on Horsemanship is the finest ever produced--were lent to
Mr. Duesbury from Welbeck Abbey; and Lady Spencer also sent some choice
moulds for working from. Altogether the Derby works, during the latter
part of the first Mr. Duesbury’s time, and during the life of his son,
were, as I have said, the most successful, the best conducted, and the
most fashionable establishment of the kind in the kingdom.
[Illustration: Fig. 51.--“King’s vase,” Museum of Practical
Geology.]
Constant application to business, and the wear and tear of the brain
from incessant anxieties, about 1795 made such fearful inroads on the
health of Mr. Duesbury, that he was induced by his friends to take into
partnership a Mr. Michael Kean, a very clever miniature painter, an
Irishman by birth, who brought his talents to bear on the works, and
by his skill in designing and drawing added much to the beauty of the
articles manufactured. His connection however, seems to have been a
source of still greater anxiety to Mr. Duesbury, whose mind gradually
gave way under his load of care. In 1796 Mr. Duesbury died, and after
a time Mr. Kean (who had for a time the management of the business for
the widow and her young family) married the widow, but not long after,
from reasons into which it is needless to enter, as they do not affect
the narrative, withdrew hastily from the concern, and the works were
then continued for, and afterwards by, the third William Duesbury. Mrs.
Duesbury, by her second marriage (with Michael Kean) had a family of
five children. She died in 1829, after having passed a not altogether
happy life. This third William Duesbury (grandson of the founder of the
works) was the eldest son of William Duesbury by his wife, Elizabeth
Edwards. He was born in 1787, and on the 26th September, 1808, married
Annabella, daughter of William E. Sheffield, Esq., of the Polygon,
Somers Town, London, and for a time the concern was carried on under
the firm of “Duesbury and Sheffield.”
In 1815, Mr. Duesbury leased the premises to Mr. Robert Bloor, who had
been a clerk to his father, and had carried on the business during Mr.
Duesbury’s minority, and the entire concern ultimately passed into his
hands, and was carried on by him for the first few years with much
judgment and skill.
[Illustration: Fig. 52.]
Public-domain text, read in full here on John Shaqi.
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