The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
In my own possession is a design, in pencil, by Mr. Duesbury, by his
own hand, for a mark, which I engrave on Fig. 84, although I believe
it was never adopted. At all events I have failed in discovering a
single specimen so marked. Mrs. Palliser, however, engraves a mark as
occurring on a cup and saucer, which somewhat assimilates to it. She
also gives, from a specimen in her own possession, the word _Derby_
in writing letters. This, she states, occurs “in black on a biscuit
statuette;” but I fear the mark has been added at a later date. Another
mark, which has been described to me, but of which I have not seen an
example, is very similar to Fig. 84, but has the cross daggers and
crown added, with the encircling words “DUESBURY, DERBY,” Fig. 85. It
may be well, _en passant_, to notice a mark which appears on one of
the copper-plates of the Caughley works (see Vol. I., p. 273). It is
an anchor over the word “Derby.” As the initials RH conjoined also
appear along with the anchor and word “Worcester,” and may mean either
R. Hancock or Richard Holdship, the probability is they belong to the
latter (who was connected with the Derby works), and that the _anchor_
was adopted in allusion to his name, _hold ship_--a very clever and
ingenious device. Another variety belonging to Mr. Robinson differs
slightly from these.
[Illustration: Figs. 84 to 89.]
On some services, notably on the royal service, mentioned on page 88,
Mr. Bloor had his name painted in full--
[Illustration:
_Messrs. Robert Bloor & Co.,_
_34, Old Bond Street_,]
on the back of plates, &c. The “Co.” in this instance was Mr. Thomas
Courteney, the London agent, through whom the order was procured.
His place of business was 34, Old Bond Street, and many of the goods
afterwards made for him bore the accompanying mark, Fig. 91. Messrs.
Locker & Co., at the modern King Street works, used the mark, Fig. 92,
and their successors, Stevenson, Sharp, and Co., the next one. The next
firm, Stevenson and Hancock, used, in accordance with my suggestion,
and a sketch I made for them, in 1862, the old Derby mark of the crown,
crossed daggers, dots, and letter [Illustration: _D_], with the
initials of the firm S. H. (for Stevenson and Hancock); this is still
continued by the present sole proprietor, Sampson Hancock--the letters
S. H. being, fortunately, his own initials.
[Illustration: Figs. 91 to 94.]
Of the artists employed at the Derby China Works, the principal
modellers appear to have been Spengler, Stephan, Coffee, Complin,
Hartenberg, Duvivier, Webber, and Dear, and many others, including
Bacon the sculptor, were employed in London, and the models sent down
to the works.
Public-domain text, read in full here on John Shaqi.
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