The Certain Hour (Dizain des Poëtes)Cabell, James Branch
General
The Certain Hour (Dizain des Poëtes)
Cabell, James Branch
Fantasy fiction; Short stories
Let me have fruitful gardens of great girth
Fill'd with the strife of birds,
With water-springs, and beasts that house i' the earth.
Let me seem Solomon for lore of words,
Samson for strength, for beauty Absalom.
Knights as my serfs be given;
And as I will, let music go and come;
Till, when I will, I will to enter Heaven.
ALESSANDRO DE MEDICI.--_Madrigal, from D. G. Rossetti's version_.
BALTHAZAR'S DAUGHTER
Graciosa was Balthazar's youngest child, a white, slim girl with violet
eyes and strange pale hair which had the color and glitter of stardust.
"Some day at court," her father often thought complacently, "she, too,
will make a good match." He was a necessitous lord, a smiling, supple
man who had already marketed two daughters to his advantage. But
Graciosa's time was not yet mature in the year of grace 1533, for the
girl was not quite sixteen. So Graciosa remained in Balthazar's big
cheerless house and was tutored in all needful accomplishments. She
was proficient in the making of preserves and unguents, could play the
harpsichord and the virginals acceptably, could embroider an altarcloth
to admiration, and, in spite of a trivial lameness in walking, could
dance a coranto or a saraband against any woman between two seas.
Now to the north of Balthazar's home stood a tall forest, overhanging
both the highway and the river whose windings the highway followed.
Graciosa was very often to be encountered upon the outskirts of these
woods. She loved the forest, whose tranquillity bred dreams, but was
already a woman in so far that she found it more interesting to watch
the highway. Sometimes it would be deserted save for small purple
butterflies which fluttered about as if in continuous indecision, and
rarely ascended more than a foot above the ground. But people passed
at intervals--as now a page, who was a notably fine fellow, clothed in
ash-colored gray, with slashed, puffed sleeves, and having a heron's
feather in his cap; or a Franciscan with his gown tucked up so that you
saw how the veins on his naked feet stood out like the carvings on a
vase; or a farmer leading a calf; or a gentleman in a mantle of
squirrel's fur riding beside a wonderful proud lady, whose tiny hat was
embroidered with pearls. It was all very interesting to watch, it was
like turning over the leaves of a book written in an unknown tongue and
guessing what the pictures meant, because these people were intent upon
their private avocations, in which you had no part, and you would never
see them any more.
Then destiny took a hand in the affair and Guido came. He reined his
gray horse at the sight of her sitting by the wayside and deferentially
inquired how far it might be to the nearest inn. Graciosa told him.
He thanked her and rode on. That was all, but the appraising glance of
this sedate and handsome burgher obscurely troubled the girl afterward.
Public-domain text, read in full here on John Shaqi.
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