The Chaldean account of Genesis : $b Containing the description of the creation, the fall of man, the deluge, the tower of Babel, the times of the patriarchsSmith, George
Religion
The Chaldean account of Genesis : $b Containing the description of the creation, the fall of man, the deluge, the tower of Babel, the times of the patriarchs
Coming near the dwelling of the blessed, he found it surrounded by the
waters of death, which he had to cross in order to reach the land of
which he was in search.
On arriving at the other side, Izdubar was met by Mu-seri-ina-namari,
“the waters of dawn at daybreak,” who engaged him in conversation about
Hea-bani, and then Xisuthrus, taking up the conversation, described
to him the Deluge. Izdubar was afterwards cured of his illness and
returned with Nes-Hea to Erech, where he mourned anew for his friend
Hea-bani, and on intercession with the gods the ghost of Hea-bani arose
from the ground where the body had lain.
The details of this story, and especially the accounts of the regions
inhabited by the dead, are very striking, and illustrate, in a
wonderful manner, the religious views of the people.
It is worth while here to pause, and consider the evidence of the
existence of the legends recounted in the preceding pages from the
close of the mythical period down to the seventh century B.C.
We have first the seals: of these there are some hundreds in European
museums, and among the earliest are many specimens carved with scenes
from the Genesis legends; some of these are a good deal older than B.C.
2000, others may be ranged at various dates down to B.C. 1500.
With three exceptions, which are of Assyrian origin, all the seals
engraved in the present volume are Babylonian. One very fine and early
example is photographed as the frontispiece of the book. The character
and style of the cuneiform legend which accompanies this shows it to
be one of the most ancient specimens; it is engraved on a hard jasper
cylinder in bold style, and is a remarkable example of early Babylonian
art. Many other similar cylinders of the same period are known; the
relief on them is bolder than on the later seals, on which from about
B.C. 1600 or 1700, a change in the inscriptions becomes general.
The numerous illustrations to the present work, which have been
collected from these early Babylonian seals, will serve to show that
the legends were well known, and formed part of the literature of the
country before the second millennium B.C.
After B.C. 1500, the literature of Babylonia is unknown, and we lose
sight of all evidence of its legends for some centuries. In the
meantime Egypt supplies a few notices bearing on the subject, which
serve to show that knowledge of them was still kept up. Nearly thirteen
hundred years before the Christian era one of the Egyptian poems likens
a hero to the Assyrian chief, Kazartu, a great hunter. Kazartu probably
means a “strong” or “powerful” one, and it has already been suggested
that the reference is to the hero Nimrod. A little later, in the period
extending from B.C. 1000 to 800, we have in Egypt several persons named
Namurot, which seems to be an echo of the name of the mighty hunter.
Public-domain text, read in full here on John Shaqi.
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