Clergy -- England -- Fiction; England -- Social life and customs -- Fiction; Families -- England -- Fiction
“Well, the one talent, then. I have no head for numbers. And poor
Martin’s talent seems to me to be put in a very damp napkin, except now
and then when somebody like me lifts up a corner of it and lets the
sparkle of gold appear.”
It happened very rarely that Lady Sunningdale was stirred into such
coherence and earnestness. As a rule, her multifarious little interests
were like children playing “King of the Castle,” rapidly pulling each
other down from their momentary pre-eminence, first one and then another
perching precariously on the summit. But certainly the most long-lived
“King” there was music, and Martin’s future, with the rain-storm of
Chopin and the mad frolic of Brahms still in her ears, was very securely
throned.
“Think me impertinent, my dear Mr. Challoner,” she went on. “Think me
what you will, only do give your most serious attention to what I say.
Martin devoting his fingers, his brain, the power of his extraordinary
artistic nature to ancient history is a thing to make Julius Cæsar weep.
The pity of it when he might be starting us all on a new chapter in
music! Really I believe that to be possible. And really I am in earnest;
and when, as I hope, you know me better, and see how completely
scatter-brained I usually am, you will appreciate how deeply I feel
this.”
“You mean that my son should devote the most useful, the most active
years of his life to playing the piano?” he asked.
“Playing the piano?” she cried, feeling it was almost hopeless to try to
make him understand. “That is, of course, a thread in the golden garment
of music; but to take piano-playing as synonymous with music would be
the same as calling the baptism of those of riper years the same thing
as Christianity. Music--music, that must be his life. Flints told me
this morning that you found him slack, lazy. So would you be if you had
to learn scales, just as he may be--I am sure he is--at classical
studies.”
“What do you propose, then?” he asked, inwardly rather rebelling at the
consideration he felt somehow forced to give to her eagerness. For, in
spite of her discursiveness, it was clearly impossible not to recognise
the surprising quickness and intuition of her mental processes.
“Why, just what I have been telling you. First let him throw his
dictionaries and histories into the fire.”
“I have an immense, a vital belief in the educating power of the
classics,” said Mr. Challoner.
Public-domain text, read in full here on John Shaqi.
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