Clergy -- England -- Fiction; England -- Social life and customs -- Fiction; Families -- England -- Fiction
Then with the active desire to get into Martin’s sympathy he went on.
“And what was that beautiful, exquisite tune you played us before
service?”
Martin brightened.
“Ah, I am glad you liked it,” he said, cordially. “Is it not beautiful?
It was Wagner,--the beginning of the overture to ‘Lohengrin.’”
Mr. Challoner’s face grew suddenly grave. Wagner was identified with
“Tannhäuser” to him.
“Certainly it was most, beautiful,” he said; “but do you think it is
quite--quite suitable to play something from an opera in church, before
the Holy Communion, too? One wants everything, is it not so, to be of
the highest?”
Mr. Milton’s “Kyrie” occurred to Martin, but he dismissed it.
“I don’t see why one shouldn’t play an opera overture, father,” he said.
“Does not the fact that it is beautiful make it suitable?”
“But the associations of it?” said his father.
“I don’t suppose anybody knew what it was except me,” said Martin. “I am
sorry if you think I should not have played it. But really I had no time
to think. I was nearly late, and on the organ there was only a book of
dreadful extracts, chiefly by organists. But I will play something
definitely sacred at the eleven o’clock service. That is if you would
like me to play again.”
“Thank you, dear lad, thank you. Ah, what a lovely morning! Look at the
hills. ‘I will lift up mine eyes to the hills.’ How wonderful the
appreciation of natural beauty in the Psalms is,--‘Sweeter also than
honey,’--so many of David’s similes are drawn from ordinary, every-day
sensations, but lifted up, ennobled, dedicated. But how was it you were
nearly late? I looked into your room before I started for church and
found you had already gone!”
“I went down to bathe,” said Martin; “in fact, it was only the bell
beginning that reminded me there was service at eight.”
Mr. Challoner looked at him a moment with a sort of appeal.
“But, dear Martin,” he said, “you did not come without preparation?”
“I am afraid I did,” said Martin, and the joy of his waking hours
dropped utterly dead, while the hopelessness of the compact of the
evening before rose close in front of him.
They took a turn up and down the lawn before going in, and his father
very gently, but very firmly impressed on him the positive sin of his
omission. His voice trembled with the earnestness of his feeling, for to
him the danger of coming to the Communion unprepared was as vital as the
need for coming. He hated to say what he felt he must say; it was so
soon after their compact to try to understand one another, to get on
without perpetual correction and admonishment. But this could not be
left unsaid. Once it occurred to Martin to tell him the truth, to say,
“I came in order to please you; otherwise I should not,” but the impulse
passed. There was no need to give his father such pain as that; and he
merely assented dully where assent was needed, said, “Yes, I see,” at
intervals, and gave the promise required. But it was a dreary beginning
to the day.
Public-domain text, read in full here on John Shaqi.
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