Glancing back as we crossed the court, I saw the ship descending
noiselessly, on the square of pavement where it had landed, into the
depths of the building, while the girl made other gestures with her
little cabinet. Then we passed through a doorway into the subdued glow
of artificial lighting.
"Why was she so worried?" I asked Edvar. "I don't understand anything,
you know."
"You were not registered," he said. "We are all registered, of course,
in our own cities. The authorities know where to find us at any moment
of the day during our routine. If we leave the city, or depart from our
usual program, naturally we note down where we are going, registering
ourselves upon our departure and upon our return. If we visit another
city, our arrival there is expected and reported here, as well as our
departure."
"Is all that necessary?" I asked him. "Is there a war, perhaps?"
"No," he said, "it's customary. It prevents confusion. Everything we do
is recorded. This conversation, for instance, is being recorded in the
telepathic laboratory at this moment--each of us has a record there.
They are open to the public at any time. It makes dishonor impossible."
We paused at a doorway, and Edvar spoke a word. It opened noiselessly
and we went into his apartment.
"We are assigned to you this morning," Edvar said. "We are at your
service."
* * * * *
The apartment was hardly very different from what I had unconsciously
expected. It seemed to have two rooms and a bath. The room we entered
was a sort of study. It was hung with drapes closely woven from some
light metal, with cold designs that were suggestive of mechanical,
mathematic conceptions, but inspiring in much the way that the lines of
the building were inspiring. There were no pictures and no mirrors. All
the furniture was made in straight lines, of metal, and somewhat
futuristic in design. The chairs, however, were deep and comfortable,
although the yielding upholstery appeared at first sight hard and
brittle as metal sheets. The room was perfectly bare, and the color
scheme a dull silver and black. To me it seemed extremely somber, but it
pleased Edvar and his companion.
The first thing I noted when we sat down was the absence of any small
articles--books or papers or lamps--and I remarked on this, somewhat
rudely perhaps, to Edvar.
"Whatever you wish is accessible," he explained with a smile. He rose
and went to the draped wall. Drawing back the folds of the curtains in
several places, he showed the metal wall covered with dials and
apparatus. I noted especially a small screen, like a motion picture
screen. Later I was to find that it served not only for amusement,
showing sound-pictures projected automatically from a central office,
but also for news and for communication, like a telephone.
Public-domain text, read in full here on John Shaqi.
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