Adoption -- Fiction; England -- Fiction; Social classes -- England -- Fiction
Her companion showed in her face and her appearance more of Aphrodite
than the sister goddess. She looked as sprightly as L'Allegra herself;
of slighter figure than the other, she was one of those fortunate
girls who attract by their manner more than by their beauty. Indeed,
no one could call her beautiful; but many called her charming. Her
grey eyes danced and sparkled; her lips were always smiling; her head
was never still; her face was made for laughing and her eyes for joy;
her hair was of the very commonest brown colour--every other kind of
girl has that kind of hair, yet upon her it looked distinguished. The
dress she wore--she had designed and made it herself--seemed craftily
intended to set off her figure and her face and her eyes. In a word,
she was one of those girls--a large class--who seem born especially
for the delight and happiness of the male world. They are acting
girls, singing girls, dancing girls, even stay-at-home girls; but
always they delight their people or the public with their vivacity,
and their cheerfulness, and their sympathy. By the side of the other
girl she looked like an attendant nymph. I have always thought that it
would be a pleasing thing to detach from Diana's train one of those
attendant nymphs, whose undeveloped mind knew nothing but the narrow
round of duty; to run breathlessly after the huntress, or to bathe
with her in a cold mountain stream. I would take her away, and teach
her other things, and make her separate and individual. But the fear
of Dian has hitherto prevented me. Ladies-in-waiting, in other words,
must have a dull time of it.
Both girls, of course, were strong, healthy, and vigorous: they
thought nothing of twenty miles on a bicycle; they could row; they
could ride; they could play lawn tennis; they would have climbed the
Matterhorn if it had been within reach. They were such girls as we
have, somehow, without knowing how, without expecting it, presented
to modern youth, athletic and vigorous, of the last decade of the
nineteenth century.
"This is my churchyard, Molly," said Hilarie. "You have seen the
house--this place belongs to the house--and the whole of it belongs to
the family history."
"It must be very nice to have a pedigree," said Molly--"ancestors who
wore laced coats and swords, like the characters on the stage. My
people, I suppose, wore smock-frocks. I gather the fact because my
father never mentioned his father. Smocks go with silence."
"One would rather, I suppose, have a pedigree than not."
"Small shops, also, go with silence. I wonder why one would rather
have a grandfather in a smock than in a small shop."
Public-domain text, read in full here on John Shaqi.
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