Adoption -- Fiction; England -- Fiction; Social classes -- England -- Fiction
Hilarie, for her part, saw in a vision, but with a clearness and
distinctness most marvellous, her ancestor Robert with Hilarie his
wife. They were both well-stricken in years; they were standing in
the porch with their eldest son, his wife and children, to receive
their visitors. And first, across the drawbridge, rode the great Lord
Archbishop and Lord Chancellor, followed by his retinue. When the
Archbishop dismounted, the old man and his wife, and the son, and his
wife, and his children went on their knees; but the Archbishop bade
them rise, and kissed his parents lovingly. Meantime, the pages and
the varlets were unloading pack-horses and pack-mules, because the
Archbishop would not lay upon his father so great a charge as the
entertainment of his following. And she saw next how the Lord Mayor
and the Sheriff, his brother, rode up side by side, the Sheriff a
little behind the Mayor, and how they dismounted and knelt for their
father's blessing; and so all into the hall together, to take counsel
for the great things they were minded to do for their native village.
Hilarie turned to her cousin on the right. "Cousin," she said, still
in her dream, "we must think of our forefathers, and of what they did.
We must ask what the Archbishop would have done in our place."
But her cousin made no reply. He was looking with a kind of wonder at
Molly. Had the man never seen an attractive girl before? He had; but
out of a thousand attractive girls a man may be attracted by one only.
And the music went on. What was it that the musician played? Indeed, I
know not; things that awakened the imagination and touched the heart.
"No one knows," said Molly, "what he plays; only he makes one lost to
everything."
As for herself, she had a delicious dream of going on the tramp with
Dick, he and she alone--he to play, and she---- But when she was about
to tell this dream, she would not confess her part in the tramp.
The music was over; the fiddle was replaced in its case; the musician
was going away.
In the porch stood Hilarie. "Cousin," she said, "do you go on tramp
for pleasure or for necessity?"
"For both. I must needs go on tramp from time to time. There is a
restlessness in me. I suppose it is in the blood. Perhaps there was a
gipsy once among my ancestors."
"But do you really--live--by playing to people?"
"He needn't," said Molly; "but he must. He leaves his money at home,
and carries his fiddle. Oh, heavenly!"
"Why not? I fiddle on village greens and in rustic inns. I camp among
the gipsies; I walk with the tramps and casuals. There is no more
pleasant life, believe me!"
He began to sing in a light, musical tenor--
Public-domain text, read in full here on John Shaqi.
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