Adoption -- Fiction; England -- Fiction; Social classes -- England -- Fiction
she adapts, she distributes. How great are her possibilities! Though
she neither creates nor invents, she may become a queen of song,
a queen of the stage, a great painter, a great novelist, a great
poet--great at artistic work of every kind. Or, again, while her
brother is slowly and painfully working his way up, so that he will
become a Q.C. at forty, a Judge at sixty, the girl steps at once by
marriage into a position that dazzles her friends, and becomes a queen
of society, a patron of Art, a power in politics. Far be it from me to
suppose that the maidens of any college dream of possibilities such
as these. Perhaps, however, the possibilities of maidenhood are never
quite forgotten. There is another possibility also. Every great man
has a mother. Do maidens ever dream of the supreme happiness of having
a great man for a son? Which would a woman prefer, the greatest honour
and glory and distinction ever won by woman for herself, or to be the
mother of a Tennyson, a Gordon, a Huxley?
"Now, my cousin," said Hilarie. "The dinner is served."
So two by two they went into the old hall. It had been decorated
since the summer. The lower part was covered with tapestry; the upper
part was hung with armour and old weapons. There were also portraits,
imaginary and otherwise, of women wise and women famous. Queen
Elizabeth was there, Joan of Arc was there, George Sand, George Eliot,
Elizabeth Barrett Browning, Jane Austen, Grace Darling, Rosa Bonheur,
and many others. The male observer remarked, with a sense of omission,
the absence of those queens of beauty whose lamentable lives make
history so profoundly interesting. Where were Rosamond, Agnes Sorel,
La Vallière, Nell Gwynne? Alas! they were not admitted.
"The house," said the president, taking her seat, "is much larger than
it looks. With the solar and the lady's bower and the tower, we have
arranged dormitories for forty and half a dozen sitting-rooms, besides
this hall, which is used all day long."
The musicians' gallery had been rebuilt and painted. It contained
an organ now and a piano, besides room for an orchestra. Six of
the students were sitting there with violins and a harp, ready to
discourse soft music during the banquet. There were three tables
running down the hall, with the high table, and all were filled with
an animated, joyous crowd of guests and residents.
"I want to interest you in my college," Hilarie began, when they were
seated.
Humphrey examined the menu. He observed that it was an artistic
attempt--an intelligent effort at a harmony. If only the execution
should prove equal to the conception!
"At present, of course, we are only beginning. What are you yourself
doing, however?"
"I follow--humbly--Art. There is nothing else. I paint, I write verse,
I compose."
"Do you exhibit?"
"Exhibit? Court the empty praises or the empty sneers of an ignorant
press? Never! I show my pictures to my friends. We confide our work
to each other."
Public-domain text, read in full here on John Shaqi.
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