Adoption -- Fiction; England -- Fiction; Social classes -- England -- Fiction
When, after many days, the man at the bottom of the ladder gets a few
pounds in gold, the first temptation is to make a night of it. What?
We are not money-grabbers. To-morrow for a new rig-out; to-morrow
for the weary business of finding employment; to-night for joy and
the wine-cup. When the morrow dawns the wine-cup still lingers in
the brain--but the gold pieces--where are they? Gone as a dream--a
splendid dream of the night. Thus, after a little sleep and a little
slumber, poverty cometh again as a robber: and want as an armed man.
"Don't let's talk about money spent," he said cheerfully. "Let's talk
about the future. I'm right down at the bottom of the ladder, Alice.
Help me up."
If a man says that he is at the bottom of the ladder, he generally
speaks the truth. It is one of those little things about which we are
agreed not to tell lies. And when he asks to be helped up, he always
speaks with sincerity.
"I have no money of my own."
"You've things that make money." His eyes fell on a bracelet lying on
the table.
Alice shook her finger at him. "Cousin Alfred," she said, "if you mean
that I am going to give you my husband's presents for you to take to
a pawnbroker, I will have you bundled out of the house. Now, tell me
what you came for, before I ring the bell for the waiter."
He began to cry. He really was underfed and very miserable. "Oh! she's
got a hard heart--and all I want is forty pounds--for the good will
and stock-in-trade of a tobacconist--to become a credit to the family."
"I have no money of my own," Alice repeated. "If that is all you have
to say, go away. My husband may come back at any moment."
"He won't. I watched. He's gone into the City on the top of a 'bus.
With all his money, rides outside a 'bus. He's gone, and I mean,
Alice----"
Molly rose and put down her novel. Then she advanced and seized the
man, taking a combined handful of shirt-collar and coat-collar, which
she twisted in her strong hand. He spread out his legs and hands; he
struggled; the grip tightened; he rolled over; the coat-collar came
off in her hand.
"Get up and go, you miserable creature!" she cried.
He rose slowly.
"Go!" said Molly.
"No coat-collar would stand such treatment," he said. "Pay me for the
damage you have done to my wardrobe."
"Give him a shilling, Molly, and let him go."
"Wait a minute--wait a minute. Oh, don't be violent, Alice! I've got
a secret. If you knew it, you'd give me money. I'll sell it for forty
pounds."
"Sell it to my husband."
He got up feeling for his injured coat-collar. "This girl's so
impetuous. May I sit down again?"
"No," said Molly. "Stand. If you don't tell your secret in two
minutes, out you go."
"It's about your marriage, Alice. You were married about twenty-six
years ago--it was in 1871, I remember. You married a play-acting
fellow--Anthony by name----"
"That's no secret."
"Which wasn't his real name, but his theatrical name. His real name
was Woodroffe."
"That is no secret, either."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account