And what of Art? Here, again, these senses will be the builders of the new art, the givers of the new ideals; and there are already signs, in the world of painters more especially, of new powers which are opening, new splendour of colour, and new wedding of emotion to colour also. A new school of painters is beginning to grow up, some in this country, one at least in Belgium, several in Hungary. I was looking at their paintings only three or four days ago, in which new use of colour is being shown to indicate the higher emotions of the mind, in which the painter is throwing into forms of new beauty, glorious in new brilliancy of colour, the higher thoughts and emotions which show themselves especially in religious feelings. There was one painting that was hanging in the hall in which we were holding our International Congress, which from the further end of the hall seemed as though it were impossible as a mere painting on opaque canvas. As you looked at it from a distance it seemed as though the colour were transparent, as though the canvas were transparent, as though there were a light beyond the painting shining through the colours from behind. Now, there is something of that quality in the paintings of Mr. Mortimer Menpes which he did in Japan. It shows so strongly that I remember, in one exhibition of his paintings, that people looking would hardly believe that a light had not been hidden behind the painting, so extraordinary was the brilliance that seemed to shine through; but if you talked to that great colourist, you would find that he sees colours in quite a different way from you, or at least I will say I found he saw them in quite a different way from my normal sight, and in talking to him about the colours that he saw, I was able to recognise, having unfolded some of the higher vision, that he was seeing astral colours, and not physical, and that the effort to throw those upon the canvas brought about the remarkable results which everyone wondered over, though they did not understand. Now there are many artists who are growing up along that line, who are groping after new possibilities of colour as well as after new ideals which they seek to limn, and you will find in the more modern paintings of that school, at present so small but with the promise of the future in it, that they are seeking after new forms of beauty; that they are trying to translate some of the higher visions that belong to worlds of matter subtler and finer than our own; that they are beginning to draw down from the ideal great thoughts, which they are putting at present imperfectly into form and colour, but in which is the promise of the Art of the Future, where larger worlds shall be drawn upon, where a vaster Nature shall unfold herself to man, where new colours and new possibilities of outline shall be found in every direction, and where human genius shall have a wider range, because a wider world and wider powers will come within the power of the painter.