The Chapel of the Holy Spirit in the Church of St. Peter's, Cranley Gardens, S.W.Morris, Percy C.
Religion
The Chapel of the Holy Spirit in the Church of St. Peter's, Cranley Gardens, S.W.
Morris, Percy C.
Church architecture -- England -- London
Transcribed from the 1909 edition by David Price, email ccx074@pglaf.org
Many thanks to the Royal Borough of Kensington and Chelsea Libraries,
Local Studies department, for allowing their copy to be used for this
transcription.
The Chapel of the
Holy Spirit
in
The Church of St. Peter’s,
Cranley Gardens, S.W.
* * * * *
_Notes Descriptive of the Chapel_,
_its Furniture_, _and its Principal_
_Features_.
* * * * *
“I lift mine eyes, and all the windows blaze
With forms of Saints and Holy men who died
Here martyred and hereafter glorified;
And the great Rose upon its leaves displays
Christ’s Triumph and the Angelic Roundelays
With splendour upon splendour multiplied;
* * * * *
And then the organ sounds, and unseen choirs
Sing the old Latin hymns of Peace and Love
And benedictions of the Holy Ghost.”
LONGFELLOW, _Divina Commedia_.
INTRODUCTORY.
THE consecration of the new Chapel of the Holy Spirit by the Bishop of
London, on Tuesday, the 25th May, 1909, marks the completion of the large
scheme for the enlargement and beautifying of St. Peter’s, upon which the
Church Council has been earnestly engaged for nearly three years. The
new organ has already been very fully described in the “Dedication
Service” booklets of last year, and it has been suggested that some
description of the chapel may be of interest to many who worship at St.
Peter’s. Those who read it must pardon the writer if from inexperience
or lack of knowledge he has failed adequately or accurately to describe
it, or if, in describing it, he may have been driven by the depth of his
own feelings to strike too personal a note.
The chapel has been erected to form at once an integral portion of the
church and a feature distinctive in itself. Ancient precedents for such
treatment are numerous, wherein a richness of material or ornament marks
the chapel as a pious memorial or its erection as an act of devotion. In
this case it is attached to the north side of the chancel, and opens from
the north transept by a wide and simply moulded archway in harmony with
the chancel arch. A short neck, lighted by a long lancet, connects it
somewhat more richly with the chancel.
Public-domain text, read in full here on John Shaqi.
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