London (England) -- Social life and customs -- 19th century -- Fiction
When he
remarked: “What attention Mrs. Tramore seems to attract everywhere!” he
meant: “What a beautifully simple nature it is!” and when he said:
“There’s something extraordinarily harmonious in the colours she wears,”
it signified: “Upon my word, I never saw such a sweet temper in my life!”
She lost one of her boxes at Verona, and made the prettiest joke of it to
Captain Jay. When Rose saw this she said to herself, “Next season we
shall have only to choose.” Rose knew what was in the box.
By the time they reached Venice (they had stopped at half a dozen little
old romantic cities in the most frolicsome æsthetic way) she liked their
companion better than she had ever liked him before. She did him the
justice to recognise that if he was not quite honest with himself he was
at least wholly honest with _her_. She reckoned up everything he had
been since he joined them, and put upon it all an interpretation so
favourable to his devotion that, catching herself in the act of glossing
over one or two episodes that had not struck her at the time as
disinterested she exclaimed, beneath her breath, “Look out—you’re falling
in love!” But if he liked correctness wasn’t he quite right? Could any
one possibly like it more than _she_ did? And if he had protested
against her throwing in her lot with her mother, this was not because of
the benefit conferred but because of the injury received. He exaggerated
that injury, but this was the privilege of a lover perfectly willing to
be selfish on behalf of his mistress. He might have wanted her
grandmother’s money for her, but if he had given her up on first
discovering that she was throwing away her chance of it (oh, this was
_her_ doing too!) he had given up her grandmother as much: not keeping
well with the old woman, as some men would have done; not waiting to see
how the perverse experiment would turn out and appeasing her, if it
should promise tolerably, with a view to future operations. He had had a
simple-minded, evangelical, lurid view of what the girl he loved would
find herself in for. She could see this now—she could see it from his
present bewilderment and mystification, and she liked him and pitied him,
with the kindest smile, for the original _naïveté_ as well as for the
actual meekness. No wonder he hadn’t known what she was in for, since he
now didn’t even know what he was in for himself. Were there not moments
when he thought his companions almost unnaturally good, almost
suspiciously safe? He had lost all power to verify that sketch of their
isolation and _déclassement_ to which she had treated him on the great
square at Milan. The last thing he noticed was that they were neglected,
and he had never, for himself, had such an impression of society.
Public-domain text, read in full here on John Shaqi.
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