Debt, Imprisonment for -- Fiction; London (England) -- History -- 18th century -- Fiction
We received, therefore, "Clarissa," expecting edification, but not
joy. We even put it aside for a week, because Mrs. Esther hardly felt
herself, at first, strong enough to begin a new book, which might flood
her mind with new ideas and make her unsettled. At last, however, she
felt that we must no longer postpone obeying the Doctor.
"Only a short chapter, my dear, to begin with. Heavens! how shall we
struggle through eight long volumes?"
I shall be ever thankful that it was my duty to read these dear
delightful pages of this great romance. You may judge of our joy when
we read on, day after day, hurrying over household work in the morning,
neglecting our walks abroad, and wasting candlelight in the evening the
more to enjoy it. We laid aside the book from time to time while we
wept over the author's pathetic scenes. Oh, the horrid usage of poor
Clarissa! Was ever girl more barbarously served? Was ever man so wicked
as her lover? Were parents ever so blinded by prejudice? Had girl ever
so unkind a brother--ever so perverse a sister? I thought of her all
day long, and at night I dreamed of her: the image of Clarissa was
never absent from my brain.
Everything in the book was as real to me as the adventures of Robinson
Crusoe, or those of Christian on his pilgrimage from the City of
Destruction. So long as the reading of this immortal book lasted--we
read page after page twice, thrice, or four times over, to get out of
them the fullest measure of sympathy, sorrow, and delight--we loved
with Clarissa: her sorrows were ours: we breathed and talked Clarissa:
Mrs. Esther even prayed, I believe--though the book was already
printed, and therefore it was too late for prayer--that the poor, sweet
innocent, might escape the clutches of her wicked lover, who, sure, was
more a demon than a man: we carried the thought of Clarissa even to
church with us.
We invited our friends to share with us this new-found joy. Solomon
Stallabras was always ready to weep with us over a dish of tea. Never
any man had a heart more formed for the tenderest sensibility. Pity
that his nose was so broad and so much turned up, otherwise this
natural tenderness might have been manifested in his countenance. While
I read he gazed upon my face, and was fain, from time to time, to draw
forth his handkerchief and wipe the tears from his streaming eyes.
"Stop, Miss Kitty!" he would say: "let us pause awhile: let us come
back to virtue and ourselves. It is too much: the spectacle of so
much youth and beauty, so much innocence--the fate of our poor
Clarissa--read by a nymph whose lot is so below her merits--it is too
much, Mrs. Pimpernel--it is indeed!"
Public-domain text, read in full here on John Shaqi.
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