Debt, Imprisonment for -- Fiction; London (England) -- History -- 18th century -- Fiction
In some way, while I read, this poet, whose imagination, as became his
profession, was strong, mixed up Clarissa with myself, and imagined
that my ending might be in some way similar to that of the heroine.
Now, with Solomon Stallabras, to think was to believe. Nothing was
wanting but a Lovelace. I believe that he waited about the market in
hopes of finding him lurking in some corner. Perhaps he even suspected
poor Sir Miles. Had he found him, he assured Mrs. Esther, he fully
intended to pierce him to the heart with a spit or skewer from one of
the butcher's stalls; adding that it would be sweet for him to die,
even from the cart at Tyburn, for my sake. But no Lovelace was trying
to make me leave my shelter with Mrs. Esther.
Sometimes Sir Miles Lackington came to join in the reading, but we
found him wanting in sensibility. Without that quality, Richardson's
novels cannot be enjoyed. He inclined rather to the low humour which
makes men enjoy Fielding's "Tom Jones," or Smollett's "Peregrine
Pickle"--works full, no doubt, of a coarse vitality which some men
like, but quite wanting in the delicate shades of feeling that commend
an author to the delicacy of gentlewomen. And to think that old Samuel
Richardson was nothing but a printer by trade! Heaven, which denied
this most precious gift of creation to such tender and poetic souls as
that of Solomon Stallabras, vouchsafed to bestow it upon a printer--a
mechanical printer, who, if he was not paid for setting up type
himself, yet employed common workmen, superintended their labours, paid
them their wages, and put profits into his purse. It seems incredible,
but then Shakespeare was only an actor.
"The sunshine of genius," said Solomon, "falls upon the children of the
lowly as well as those of the rich. I am myself a scion of Fetter Lane."
Sometimes, indeed, Sir Miles Lackington was so wanting in delicacy and
so rude as to laugh at us for our tears.
"You cry over Richardson," he said; "but if I were to bring you 'Tom
Jones' I warrant you would laugh."
"'Tom Jones,'" said Mrs. Esther, "is clearly a work of coarseness.
Ladies do not wish to laugh. The laws of decorum forbid unrestrained
mirth to females of good breeding. Fielding may suit the pewter pots
of the tavern; Richardson goes best with the silver service of the
mansion."
We looked about us as if our room was the mansion and our cupboard was
lined with silver dishes.
Sir Miles laughed again.
"Give me a pewter mug well filled and often filled," he said, "with
'Tom Jones' to bear it company, and I ask no more. 'Clarissa,' and the
silver service may remain with you, ladies. Strange, however, that
folk should prefer a printer to a gentleman. Why, Fielding comes of an
honourable house."
Public-domain text, read in full here on John Shaqi.
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