Debt, Imprisonment for -- Fiction; London (England) -- History -- 18th century -- Fiction
"My mother will go as the Queen of Sheba. She will wear a train over
her hoop, a paper crown, a sceptre, and have two black boys to walk
behind her. That will show who she is. I am to go as Joan of Arc, with
a sword in my hand, but not to wear it dangling at my side, lest it
cause me to fall down: Peggy Baker will be Venus, the Goddess of Love.
She will have a golden belt, and a little Cupid is to follow her with
bow and arrows, which he is to shoot, or pretend to shoot, at the
company. She will sprawl and languish in her most bewitching manner,
the dear creature; but since she has failed with Lord Eardesley there
is nobody at Epsom good enough for her. I hear she goes very shortly
to Bath, where no doubt she will catch a nabob. I hope his liver and
temper will be good. Oh! and Mr. Stallabras will go as a Greek pastoral
poet, Theo something--I forget his name--with a lyre in one hand and
a shepherd's crook in the other. Harry Temple is to go as Vulcan: you
will know him by his limp and by the hammer upon his shoulder. Sir
Miles wants to go as the God of Cards, but no one seems to know who
that Deity was. My father says he shall go as a plain English country
gentleman, because he sees so few among the company that the sight may
do them good."
I was going as the Goddess of Night, because I wanted to have an excuse
for wearing a domino all the evening, most of the ladies throwing
them aside early in the night. My dress was a long black velvet hood,
covering me from head to foot, without hoops, and my hair dressed
low, so that the hood could cover the head and be even pulled down
over the face. At first I wanted my lord to find out by himself the
_incognita_ who had resolved to address him; but he asked me to tell
him beforehand, and to be sure I could refuse him nothing.
The splendour of the lights was even greater than that at Lord
Chudleigh's entertainment, when he lit up the lawn among the trees
with coloured oil lamps. Yet the scene lacked the awful contrast of
the dark and gloomy wood behind, in which, as one retired to talk,
the music seemed out of place, and the laughter of the gay throng
impertinent. Here was there no dark wood or shade of venerable trees
to distract the thoughts from the gaiety of the moment, or sadden by
a contrast of the long-lived forest with the transitory crowd who
danced beneath the branches, as careless as a cloud of midges on the
river-bank, born to buzz away their little hour, know hope, fear, and
love, feel pain, be cut off prematurely at their twentieth minute, or
wear on to a green old age and die at the protracted term of sixty
minutes.
Public-domain text, read in full here on John Shaqi.
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