Debt, Imprisonment for -- Fiction; London (England) -- History -- 18th century -- Fiction
The Terrace and the New Parade were hung with festoons of coloured
lamps. There must have been thousands of them in graceful arches
from branch to branch: the doors of the Assembly Rooms had columns
and arches of coloured lamps set up beside and over them: there
were porches of coloured lamps; a temple of coloured lamps beside
the watch-house at the edge of the pond, where horns were stationed
to play while the music rested: in the Rooms was, of course, to be
dancing: and, which was the greatest attraction, there were amusements
of various kinds, almost as if one was at a country fair, without the
crowding of the rustics, the fighting with quarterstaves, the grinning
through horse-collars, the climbing of greasy poles, and the shouting.
I have always, since that evening, longed for the impossible, namely,
a country fair without the country people. Why can we not have, all to
ourselves, and away from a noisy mob of ill-bred and rough people, the
amusements of the fair, the stalls with the gingerbread, Richardson's
Theatre, with a piece addressed to eyes and ears of sensibility, a
wax-work, dancing and riding people, and clowns?
Here the presenters of the masquerade had not, it is true, provided
all these amusements; but there were some: an Italian came to exhibit
dancing puppets, called fantoccini; a conjurer promised to perform
tricks, and swallow red-hot coals, which is truly a most wonderful
feat, and makes one believe in the power of magic, else how could the
tender throat sustain the violence of the fire? a girl was to dance
upon the tight-rope: and a sorcerer or magician or astrologer was to be
seated in a grotto to tell the fortunes of all who chose to search into
the future.
Public-domain text, read in full here on John Shaqi.
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