The "Characters" of Jean de La BruyèreLa Bruyère, Jean de
General
The "Characters" of Jean de La Bruyère
La Bruyère, Jean de
Character sketches -- Early works to 1800; Characters and characteristics
(49.) A man must have a very bad opinion of mankind and yet know them
well to believe he can impose on them with studied demonstrations of
friendship and long and useless embraces.
(50.) Pamphilus[477] does not converse with the people he meets in the
apartments at court or in the public walks; but some persons would
think by his serious mien and his loud voice that he admits them into
his presence, gives them audience, and then dismisses them. He has a
stock of phrases, at once civil and haughty; an imperious, gentlemanly
kind of civility, which he makes use of without any discrimination; a
false dignity which debases him, and is very troublesome to his friends
who are loth to despise him.
A true Pamphilus is full of his own merit, keeps himself always
in view, and never forgets his ideas about his grandeur, alliances,
office, and dignity; he takes everything belonging to his escutcheon,
and produces it when he wants to show off; he speaks of his order
and his blue ribbon,[478] which he displays or hides with equal
ostentation. A Pamphilus, in a word, would be a great man, and believes
he is one; but he really is not, and is only an imitation one. If
at any time he smiles on a person of the lower orders, or a man of
intelligence, he chooses his time so well that he is never caught in
the fact; and were he unfortunately caught in the least familiarity
with a person neither rich, powerful, nor the friend of a minister of
state, his relative, nor one of his household,[479] he would blush up
to his ears; he is very severe, and shows no mercy to a man who has not
yet made his fortune. One day he sees you in a public walk and avoids
you; the next day he meets you in a less public place, or, if it be
public, in the company of some great man, and he takes courage, comes
up to you, and says, “Yesterday you pretended not to see me.” Sometimes
he will leave you abruptly to go and speak to some lord and to the
secretary of some minister,[480] and sometimes, finding that you are in
conversation with them, he will pass between you and them[481] and take
them away. Meet him at any other time and he will not stop; you must
run and then heʼll speak so loud as to expose you and him to all within
hearing. Thus the Pamphiluses live, as it were, always on a stage;
they are a class nurtured in dissimulation, who hate nothing more than
to be natural, and who are real actors as much as ever Floridor and
Mondori[482] were.
Public-domain text, read in full here on John Shaqi.
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