The "Characters" of Jean de La BruyèreLa Bruyère, Jean de
General
The "Characters" of Jean de La Bruyère
La Bruyère, Jean de
Character sketches -- Early works to 1800; Characters and characteristics
_Ains_ is lost; the vowel beginning it, and which could so easily be
cut off, could not save it; it gave way to another monosyllable which
at best is but its anagram.[817] _Certes_ is beautiful in its old age,
and has yet strength, though declining; it should be used in poetry,
and our language is under some obligation to those authors who employ
it in prose and defend it in their works. _Maint_ is a word which
should never have been forsaken, and on account of its adaptability for
any style and for the sake of its French origin.[818] _Moult_, though
descended from the Latin, possessed in its time the same merit, and I
do not see why _beaucoup_ should be preferred to it. _Car_ has endured
some persecution, and if it had not been protected by some men of
culture, it would have been shamefully banished from a language which
it had served so long; and this without knowing what word to put in
its place.[819] When _cil_ was in fashion it was one of the prettiest
words of the French language; and it is a sad thing for the poets that
it has become antiquated. _Douloureux_ is, of course, derived from
_douleur_, and so are _chaleureux_ or _chaloureux_ from _chaleur_: yet
_chaloureux_ is going out,[820] though it enriched our tongue, and was
employed quite correctly when _chaud_ was not the right expression.
_Valeur_ ought also to have given us _valeureux_; _haine, haineux_;
_peine, peineux_; _fruit, fructueux_; _pitié, piteux_; _joie, jovial_;
_foi, féal_; _cour, courtois_; _gîte, gisant_; _haleine, halené_;
_vanterie, vantard_; _mensonge, mensonger_; _coutume, coutumier_;
just as _part_ should have produced _partial_; _point, pointu_ and
_pointilleux_; _ton, tonnant_; _son, sonore_; _frein, effréné_; _front,
effronté_; _ris, ridicule_; _loi, légal_; _cœur, cordial_; _bien,
benin_; and _mal, malicieux_. _Heur_ was allowed when _bonheur_ did
not suit; from the first arose _heureux_, which is so French and yet
exists no longer; if some poets have employed it, it is more for the
sake of the measure than from choice. _Issue_ prospers, and comes from
_issir_, no longer in existence. _Fin_ is used, but not _finer_, which
is derived from it, whilst _cesse_ and _cesser_ are still flourishing.
_Verd_ no longer gives _verdoyer_, nor _fête, fétoyer_; nor _larme,
larmoyer_; nor _deuil, se douloir_ and _se condouloir_; nor _joie,
sʼéjouir_; though it still makes _se réjouir_ and _se conjouir_, whilst
_orgueil_ gives _sʼenorgueillir_. Formerly _gent_ was used, as in _le
corps gent_; this easy word is not alone no longer in use, but it has
involved _gentil_ in its ruin. We employ _diffamé_, which proceeds from
_fame_, which is out of date, and _curieux_ is derived from _cure_,
now obsolete. It was much better to say _si que_ than _de sorte que_
or _de manière que_, _de moi_ instead of _pour moi_ or _quant à moi_;
_je sais que cʼest quʼun mal_[821] than _je sais ce que cʼest quʼun
mal_, whether you consider the Latin analogy, or the benefit we often
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