The "Characters" of Jean de La Bruyère — John Shaqi
The "Characters" of Jean de La BruyèreLa Bruyère, Jean de
General
The "Characters" of Jean de La Bruyère
La Bruyère, Jean de
Character sketches -- Early works to 1800; Characters and characteristics
Our author, therefore, did not wish to depict individuals, but men
in general; for man is the same in all seasons and at all times, and
is swayed by the same motives and passions, though they exercise a
different influence in various ages, produce different results amongst
many races, and do not even act in precisely the same manner in divers
centuries, climates, and under heterogeneous circumstances. He had
no intention of presenting a series of historical events,[7] but of
depicting Frenchmen at the end of the seventeenth century as they
lived, breathed, and moved; not animated by violent likes and dislikes,
as those of the Ligue or the Fronde were, nor filled by the importance
of their own overweening individualities. When we read him, we behold
in our mindʼs eye the subdued subjects of Louis XIV., slavishly obeying
the “Roi Soleil,” admitting the King can do no wrong, becoming devout
to please His Majesty and Madame de Maintenon, inaugurating the reign
of courtly hypocrisy, embracing the principle of one religion in one
state, and seeing the royal sun gradually decline, and the star of
William III. in its ascendancy.
The notes of the present edition are necessary, I imagine, to assist
in illustrating the life of a past age, for “no usages or customs
are perennial, but they vary with the times.... Nothing can be more
opposed to our manners than all these things; but the distance of
time makes us relish them.” The “Characters” themselves, as well as
the notes, represent a “history of ... times,” when the usual custom
was “the selling of offices; that is to say, the power of protecting
innocence, punishing guilt, and doing justice to the world, bought with
ready money like a farm.” They will also make my readers acquainted
with “a great city,” which at the end of the seventeenth century was
“without any public places, baths, fountains, amphitheatres, galleries,
porticoes, or public walks, and this the capital of a powerful
kingdom; they will be told of persons whose whole life was spent in
going from one house to another; of decent women who kept neither
shops nor inns, yet had their houses open for those who would pay for
their admission,[8] and where they could choose between dice, cards,
and other games, where feasting was going on, and which were very
convenient for all kinds of intercourse. They will be informed that
people crowded the street only to be thought in a hurry; that there
was no conversation nor cordiality, but that they were confused, and,
as it were, alarmed by the rattle of coaches which they had to avoid,
and which drove through the streets as if for a prize at some race.
People will learn, without being greatly astonished, that in times
of public peace and tranquillity, the inhabitants went to church and
visited ladies and their friends, whilst wearing offensive weapons; and
that there was hardly any one who did not have dangling at his side
wherewith to kill another person with one thrust.”[9]
Public-domain text, read in full here on John Shaqi.
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