The Characters of Theophrastus: A Translation, with IntroductionTheophrastus
General
The Characters of Theophrastus: A Translation, with Introduction
Theophrastus
Character sketches -- Early works to 1800
If they meet people on the street, he asks them to wait until master
passes. He buys apples and pears, carries them to his hero’s house and
gives them to the children, and in the presence of the father, who is
looking on, he kisses them, exclaiming: “Bairns of a worthy sire!” When
the patron buys a pair of shoes, the flatterer observes: “The foot is of
a finer pattern than the boot”; if he calls on a friend, the flatterer
trips on ahead and says: “_You_ are to have the honor of his visit”; and
then turns back with, “I have announced you.” Of course he can run and do
the errands at the market in a twinkle.
Amongst guests at a banquet he is the first to praise the wine and, doing
it ample justice, he observes: “What a fine cuisine you have!” He takes a
bit from the board and exclaims: “What a dainty morsel this is!” Then he
inquires whether his friend is chilly, asks if he would like a wrap put
over his shoulders, and whether he shall throw one about him. With these
words he bends over and whispers in his ear. While his talk is directed
to the rest, his eye is fixed on his patron. In the theatre he takes the
cushions from the page and himself adjusts them for the comfort of the
master. Of his hero’s house he says: “It is well built”; of his farm: “It
is well tilled”; and of his portrait: “It is a speaking image.”
[8] “A piece of witte bursts him with an overflowing laughter, and hee
remembers it for you to all companies.” Earle’s _Micro-cosmographie_,
“The Flatterer.”
III _The Coward_
(Δειλία)
Cowardice is a certain shrinking of the heart. A coward is a man who,
as he sails along, imagines that the cliffs in the distance are pirate
ships; if the waves are high, he asks if there’s anybody in the ship’s
company who has not been initiated into the mysteries.[9] He bends over
toward the helmsman and inquires whether he intends to keep to the high
sea, and what he thinks of the weather; and to his companion says that he
is in terror in consequence of a dream he has had; and he takes off his
tunic and gives it to his slave, and begs to be set on shore.
In a campaign, when the infantry march forth, he bids his comrades stand
by him and look sharp, urging the importance of finding out whether
yonder object be the foe or not. When he hears the sound of battle, and
sees men fall, he says to those about him that, in his haste, he has
forgotten to take his sword; then he runs back to his tent, sends his
servant out and bids him see where the enemy are; meanwhile he hides his
weapon[10] under his pillow, and then wastes a long time hunting for it.
While in his tent, seeing one of his companions brought wounded from
the field, he runs out, bids the fellow “Cheer up!” and lends a hand to
carry the stretcher. And then he stays to tend the sufferer, washes his
wounds, and sits by his side driving away the flies,—anything but fight
the enemy.
Public-domain text, read in full here on John Shaqi.
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